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DTSTART;TZID=America/Chicago:20260730T100000
DTEND;TZID=America/Chicago:20260730T160000
DTSTAMP:20260813T082158
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002411-1785405600-1785427200@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-07-30/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260730T120000
DTEND;TZID=America/Chicago:20260730T160000
DTSTAMP:20260813T082158
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004335-1785412800-1785427200@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-07-30/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260731T100000
DTEND;TZID=America/Chicago:20260731T160000
DTSTAMP:20260813T082158
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002412-1785492000-1785513600@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-07-31/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260731T120000
DTEND;TZID=America/Chicago:20260731T160000
DTSTAMP:20260813T082158
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004336-1785499200-1785513600@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-07-31/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260803T090000
DTEND;TZID=America/Chicago:20260803T120000
DTSTAMP:20260813T082158
CREATED:20260812T024753Z
LAST-MODIFIED:20260812T025115Z
UID:10005407-1785747600-1785758400@calendar.amesart.org
SUMMARY:Works by Maggie Douglas - Gallery in the Round
DESCRIPTION:The Gallery in the Round at the Unitarian Universalist Fellowship of Ames will present Works by Maggie Douglas\, an abstract\, mixed-media artist\, on view from August 1 through September 26. A public reception will be held on Fri.\, September 18 from 5 to 6:30 p.m.\, featuring an artist talk and discussion open to the public. \nDouglas’s work explores the interplay between the natural world and human nature\, delving into both their harmony and discord. Through mixed media paintings\, she combines textures\, colors\, and patterns that evoke the natural world with stitching\, collage and drawing that represent the human touch. Each piece is a dialogue\, blending organic forms and human imposed structures to question where one ends and the other begins. \nThe natural world\, with its rhythms and raw beauty\, serves as Douglas’s  foundation – roots\, branches\, landscapes\, and the chaos of the elements. Yet\, these are juxtaposed with symbols of human intervention: rigid lines\, fragmented figures\, and abstract patterns that reflect our desires\, fears\, and need to control. \nThe process itself mirrors this intersection. By integrating diverse materials – paint\, fabric\, ink\, paper\, and found objects – Douglas creates surfaces that feel both deliberate and unpredictable. The layers obscure and reveal\, much like the tension between our intrinsic connection to nature and our efforts to separate ourselves from it. \nUltimately\, these paintings invite viewers to reflect on their own relationship with the world around them and within them\, to consider how we mirror the natural world in our complexity\, fragility\, and resilience – and how\, in our divergence\, we often forget we are a part of it. \nThe exhibition is on view at Gallery in the Round\, Unitarian Universalist Fellowship of Ames\, 1015 Hyland Ave.\, Ames\, IA. \nViewing hours are Monday and Tues.\, 9 a.m. to noon\, and Wed. and Thurs.\, 1 to 4 p.m.\, or by appointment by calling 515-292-5960.
URL:https://calendar.amesart.org/event/works-by-maggie-douglas-gallery-in-the-round/2026-08-03/
LOCATION:Unitarian Universalist Fellowship of Ames – Gallery in the Round\, 1015 Hyland Ave\, Ames\, IA 50014\, Ames\, IA\, 50014\, United States
ATTACH;FMTTYPE=image/webp:https://calendar.amesart.org/wp-content/uploads/2026/08/Douglas_044539_05.webp
ORGANIZER;CN="Unitarian Universalist Fellowship of Ames - Gallery in the Round":MAILTO:gallery@uufames.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260803T100000
DTEND;TZID=America/Chicago:20260803T160000
DTSTAMP:20260813T082158
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002413-1785751200-1785772800@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-08-03/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260803T120000
DTEND;TZID=America/Chicago:20260803T160000
DTSTAMP:20260813T082158
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004337-1785758400-1785772800@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-08-03/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260804T090000
DTEND;TZID=America/Chicago:20260804T120000
DTSTAMP:20260813T082158
CREATED:20260812T024753Z
LAST-MODIFIED:20260812T025115Z
UID:10005408-1785834000-1785844800@calendar.amesart.org
SUMMARY:Works by Maggie Douglas - Gallery in the Round
DESCRIPTION:The Gallery in the Round at the Unitarian Universalist Fellowship of Ames will present Works by Maggie Douglas\, an abstract\, mixed-media artist\, on view from August 1 through September 26. A public reception will be held on Fri.\, September 18 from 5 to 6:30 p.m.\, featuring an artist talk and discussion open to the public. \nDouglas’s work explores the interplay between the natural world and human nature\, delving into both their harmony and discord. Through mixed media paintings\, she combines textures\, colors\, and patterns that evoke the natural world with stitching\, collage and drawing that represent the human touch. Each piece is a dialogue\, blending organic forms and human imposed structures to question where one ends and the other begins. \nThe natural world\, with its rhythms and raw beauty\, serves as Douglas’s  foundation – roots\, branches\, landscapes\, and the chaos of the elements. Yet\, these are juxtaposed with symbols of human intervention: rigid lines\, fragmented figures\, and abstract patterns that reflect our desires\, fears\, and need to control. \nThe process itself mirrors this intersection. By integrating diverse materials – paint\, fabric\, ink\, paper\, and found objects – Douglas creates surfaces that feel both deliberate and unpredictable. The layers obscure and reveal\, much like the tension between our intrinsic connection to nature and our efforts to separate ourselves from it. \nUltimately\, these paintings invite viewers to reflect on their own relationship with the world around them and within them\, to consider how we mirror the natural world in our complexity\, fragility\, and resilience – and how\, in our divergence\, we often forget we are a part of it. \nThe exhibition is on view at Gallery in the Round\, Unitarian Universalist Fellowship of Ames\, 1015 Hyland Ave.\, Ames\, IA. \nViewing hours are Monday and Tues.\, 9 a.m. to noon\, and Wed. and Thurs.\, 1 to 4 p.m.\, or by appointment by calling 515-292-5960.
URL:https://calendar.amesart.org/event/works-by-maggie-douglas-gallery-in-the-round/2026-08-04/
LOCATION:Unitarian Universalist Fellowship of Ames – Gallery in the Round\, 1015 Hyland Ave\, Ames\, IA 50014\, Ames\, IA\, 50014\, United States
ATTACH;FMTTYPE=image/webp:https://calendar.amesart.org/wp-content/uploads/2026/08/Douglas_044539_05.webp
ORGANIZER;CN="Unitarian Universalist Fellowship of Ames - Gallery in the Round":MAILTO:gallery@uufames.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260804T100000
DTEND;TZID=America/Chicago:20260804T120000
DTSTAMP:20260813T082158
CREATED:20251103T001033Z
LAST-MODIFIED:20251103T001033Z
UID:10001132-1785837600-1785844800@calendar.amesart.org
SUMMARY:Heartland of Story County at APL - Ames Public Library
DESCRIPTION:Staff from Heartland of Story County will be available in the Library to connect Story County residents who are 60+ and their caregivers with programs and services. Visitors may apply for Heartland programs\, explore ways to stay active and independent\, find low income assistance\, and learn about other resources. \nLisa Fawcett Nilsson Study Room – 2nd floor \n515 Douglas Avenue\nAmes\, IA 50010\n(515) 239-5646 \nLibrary Hours\n\nMon. – Thurs.: 9 a.m. – 9 p.m.\nFri. & Sat.: 9 a.m. – 6 p.m.\nSun: 1 – 5 p.m.
URL:https://calendar.amesart.org/event/heartland-of-story-county-at-apl-ames-public-library/2026-08-04/
LOCATION:Ames Public Library\, 515 Douglas Ave\, Ames\, IA\, 50010\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260804T100000
DTEND;TZID=America/Chicago:20260804T160000
DTSTAMP:20260813T082158
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002414-1785837600-1785859200@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-08-04/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260804T120000
DTEND;TZID=America/Chicago:20260804T160000
DTSTAMP:20260813T082158
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004338-1785844800-1785859200@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-08-04/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260804T160000
DTEND;TZID=America/Chicago:20260804T170000
DTSTAMP:20260813T082158
CREATED:20251103T004926Z
LAST-MODIFIED:20251103T004926Z
UID:10001175-1785859200-1785862800@calendar.amesart.org
SUMMARY:Kids Chess Club - Ames Public Library
DESCRIPTION:Come play chess! Whether you are just a beginner or already an expert\, all kids in grades 1-5 are welcome to come have fun. Drop in and learn how to play or make new friends with other chess lovers.  Storytime Room \n515 Douglas Avenue\nAmes\, IA 50010 \n(515) 239-5646 \n\nLibrary Hours \nMon. – Thurs.: 9 a.m. – 9 p.m.\nFri. & Sat.: 9 a.m. – 6 p.m.\nSun: 1 – 5 p.m.
URL:https://calendar.amesart.org/event/kids-chess-club-ames-public-library/2026-08-04/
LOCATION:Ames Public Library\, 515 Douglas Ave\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2025/11/KidsChessClub-2024-06-FB-INSTAGRAM-02.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260804T180000
DTEND;TZID=America/Chicago:20260804T200000
DTSTAMP:20260813T082158
CREATED:20260124T161611Z
LAST-MODIFIED:20260124T161611Z
UID:10003582-1785866400-1785873600@calendar.amesart.org
SUMMARY:Portrait Painting Ages\, 18+ - Octagon Center for the Arts
DESCRIPTION:Art of the Portrait\,  Ages 18+\nTuesdays\, 6 – 8 p.m.\nFebruary 10 – 24 (3 weeks)\n$85 \nStudents will explore the art of painting portraits.  Students have the choice to paint from a photo\, or paint a self-portrait by using a mirror. Students will learn to explore color\, likeness\, and the many ways of depicting a person on canvas.\nOil paint focused\, but other media are also welcome. All skill levels are welcome! \nInstructor: Zack Bukovich\nClass Size Limit: 10\nStudio Location: TBA \nStudent supply list:\nChoose preferred type of Paint: Gouache\, Acrylic or Oil Paint \n\n4-6 canvases\, panels or paper\, between 9 x12” and 16 x 20”\n\nGouache or Acrylic Supplies: \n\nGouache or Acrylic paints: A simple color palette of basic colors (red\, blue\, yellow\, black\, white and brown).\nBrushes*\n\nOil Painting Supplies: \n\nOil Paints:  Ivory Black\, Yellow Ochre\, Titanium white\, warm yellow and cool yellow (usually cadmium yellow and lemon yellow)\, warm red and cool red (usually cadmium red and alizarin crimson) and ultramarine blue; other colors of your choice (bring what you have).\nMixed sized brushes (can be bristle or synthetic)*\nPalette Knife\nPalette surface (sheets are fine)\nOdorless Turpentine or Gamsol\nPaint mixing tray\n*The Octagon will provide  paper towels\, pencils\, gently used paintbrushes of varying type and size.
URL:https://calendar.amesart.org/event/portrait-painting-ages-18-octagon-center-for-the-arts-2/2026-08-04/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Self_Portrait_Class_brlmev.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260805T100000
DTEND;TZID=America/Chicago:20260805T120000
DTSTAMP:20260813T082158
CREATED:20260120T052652Z
LAST-MODIFIED:20260120T052652Z
UID:10003493-1785924000-1785931200@calendar.amesart.org
SUMMARY:Community & Family Resources at Ames Public Library
DESCRIPTION:Staff from Community and Family Resources will be available in the Library to provide information about addiction\, substance abuse treatment\, problem gambling treatment\, and mental health therapy. \nThey can also provide assistance in getting started in any of these services including filling out some of the pre-appointment forms. \n\nFirst Wednesday of Each Month\, 10am-12pm on the second floor\nThird Wednesday of Each Month\, 4-6pm on the second floor
URL:https://calendar.amesart.org/event/community-family-resources-at-ames-public-library/2026-08-05/
LOCATION:Ames Public Library\, 515 Douglas Ave\, Ames\, IA\, 50010\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260805T100000
DTEND;TZID=America/Chicago:20260805T160000
DTSTAMP:20260813T082158
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002415-1785924000-1785945600@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-08-05/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260805T120000
DTEND;TZID=America/Chicago:20260805T130000
DTSTAMP:20260813T082158
CREATED:20251103T012946Z
LAST-MODIFIED:20251103T012946Z
UID:10001198-1785931200-1785934800@calendar.amesart.org
SUMMARY:Mystery Lovers Book Group - Ames Public Library
DESCRIPTION:Mystery readers\, come talk about books by a selected author or on a theme: \n2025 \n\nSeptember: Isabella Maldonado\nOctober: Page to Screen\nNovember: Marcie Rendon\nDecember: Mary Higgins Clark\n\nRotary Room \n515 Douglas Avenue\nAmes\, IA 50010\n(515) 239-5646 \nMon. – Thurs.: 9 a.m. – 9 p.m.\nFri. & Sat.: 9 a.m. – 6 p.m.\nSun: 1 – 5 p.m.
URL:https://calendar.amesart.org/event/mystery-lovers-book-group-ames-public-library/2026-08-05/
LOCATION:Ames Public Library\, 515 Douglas Ave\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2025/11/MysteryLovers-2022-INSTAGRAM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260805T120000
DTEND;TZID=America/Chicago:20260805T160000
DTSTAMP:20260813T082158
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004339-1785931200-1785945600@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-08-05/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260805T130000
DTEND;TZID=America/Chicago:20260805T160000
DTSTAMP:20260813T082158
CREATED:20260812T025841Z
LAST-MODIFIED:20260812T025841Z
UID:10005439-1785934800-1785945600@calendar.amesart.org
SUMMARY:Works by Maggie Douglas - Gallery in the Round
DESCRIPTION:The Gallery in the Round at the Unitarian Universalist Fellowship of Ames will present Works by Maggie Douglas\, an abstract\, mixed-media artist\, on view from August 1 through September 26. A public reception will be held on Fri.\, September 18 from 5 to 6:30 p.m.\, featuring an artist talk and discussion open to the public. \nDouglas’s work explores the interplay between the natural world and human nature\, delving into both their harmony and discord. Through mixed media paintings\, she combines textures\, colors\, and patterns that evoke the natural world with stitching\, collage and drawing that represent the human touch. Each piece is a dialogue\, blending organic forms and human imposed structures to question where one ends and the other begins. \nThe natural world\, with its rhythms and raw beauty\, serves as Douglas’s  foundation – roots\, branches\, landscapes\, and the chaos of the elements. Yet\, these are juxtaposed with symbols of human intervention: rigid lines\, fragmented figures\, and abstract patterns that reflect our desires\, fears\, and need to control. \nThe process itself mirrors this intersection. By integrating diverse materials – paint\, fabric\, ink\, paper\, and found objects – Douglas creates surfaces that feel both deliberate and unpredictable. The layers obscure and reveal\, much like the tension between our intrinsic connection to nature and our efforts to separate ourselves from it. \nUltimately\, these paintings invite viewers to reflect on their own relationship with the world around them and within them\, to consider how we mirror the natural world in our complexity\, fragility\, and resilience – and how\, in our divergence\, we often forget we are a part of it. \nThe exhibition is on view at Gallery in the Round\, Unitarian Universalist Fellowship of Ames\, 1015 Hyland Ave.\, Ames\, IA. \nViewing hours are Monday and Tues.\, 9 a.m. to noon\, and Wed. and Thurs.\, 1 to 4 p.m.\, or by appointment by calling 515-292-5960.
URL:https://calendar.amesart.org/event/works-by-maggie-douglas-gallery-in-the-round-2/2026-08-05/
LOCATION:Unitarian Universalist Fellowship of Ames – Gallery in the Round\, 1015 Hyland Ave\, Ames\, IA 50014\, Ames\, IA\, 50014\, United States
ATTACH;FMTTYPE=image/webp:https://calendar.amesart.org/wp-content/uploads/2026/08/Douglas_044539_05.webp
ORGANIZER;CN="Unitarian Universalist Fellowship of Ames - Gallery in the Round":MAILTO:gallery@uufames.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260806T100000
DTEND;TZID=America/Chicago:20260806T160000
DTSTAMP:20260813T082158
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002416-1786010400-1786032000@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-08-06/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260806T120000
DTEND;TZID=America/Chicago:20260806T160000
DTSTAMP:20260813T082158
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004340-1786017600-1786032000@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-08-06/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260806T130000
DTEND;TZID=America/Chicago:20260806T160000
DTSTAMP:20260813T082158
CREATED:20260812T025841Z
LAST-MODIFIED:20260812T025841Z
UID:10005440-1786021200-1786032000@calendar.amesart.org
SUMMARY:Works by Maggie Douglas - Gallery in the Round
DESCRIPTION:The Gallery in the Round at the Unitarian Universalist Fellowship of Ames will present Works by Maggie Douglas\, an abstract\, mixed-media artist\, on view from August 1 through September 26. A public reception will be held on Fri.\, September 18 from 5 to 6:30 p.m.\, featuring an artist talk and discussion open to the public. \nDouglas’s work explores the interplay between the natural world and human nature\, delving into both their harmony and discord. Through mixed media paintings\, she combines textures\, colors\, and patterns that evoke the natural world with stitching\, collage and drawing that represent the human touch. Each piece is a dialogue\, blending organic forms and human imposed structures to question where one ends and the other begins. \nThe natural world\, with its rhythms and raw beauty\, serves as Douglas’s  foundation – roots\, branches\, landscapes\, and the chaos of the elements. Yet\, these are juxtaposed with symbols of human intervention: rigid lines\, fragmented figures\, and abstract patterns that reflect our desires\, fears\, and need to control. \nThe process itself mirrors this intersection. By integrating diverse materials – paint\, fabric\, ink\, paper\, and found objects – Douglas creates surfaces that feel both deliberate and unpredictable. The layers obscure and reveal\, much like the tension between our intrinsic connection to nature and our efforts to separate ourselves from it. \nUltimately\, these paintings invite viewers to reflect on their own relationship with the world around them and within them\, to consider how we mirror the natural world in our complexity\, fragility\, and resilience – and how\, in our divergence\, we often forget we are a part of it. \nThe exhibition is on view at Gallery in the Round\, Unitarian Universalist Fellowship of Ames\, 1015 Hyland Ave.\, Ames\, IA. \nViewing hours are Monday and Tues.\, 9 a.m. to noon\, and Wed. and Thurs.\, 1 to 4 p.m.\, or by appointment by calling 515-292-5960.
URL:https://calendar.amesart.org/event/works-by-maggie-douglas-gallery-in-the-round-2/2026-08-06/
LOCATION:Unitarian Universalist Fellowship of Ames – Gallery in the Round\, 1015 Hyland Ave\, Ames\, IA 50014\, Ames\, IA\, 50014\, United States
ATTACH;FMTTYPE=image/webp:https://calendar.amesart.org/wp-content/uploads/2026/08/Douglas_044539_05.webp
ORGANIZER;CN="Unitarian Universalist Fellowship of Ames - Gallery in the Round":MAILTO:gallery@uufames.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260806T180000
DTEND;TZID=America/Chicago:20260806T190000
DTSTAMP:20260813T082158
CREATED:20251103T022920Z
LAST-MODIFIED:20251103T022920Z
UID:10001225-1786039200-1786042800@calendar.amesart.org
SUMMARY:Conversation Circles: Chinese - Ames Public Library
DESCRIPTION:Gather (in person or online) for casual conversations in Chinese. Chat in your native language or get comfortable speaking in another language. PEO Room \nTo join via Zoom\, click here: https://us02web.zoom.us/j/81706386269?pwd=h7HfoFApVWwea7yboGPUGsxXgRhD9w.1 \n515 Douglas Avenue\nAmes\, IA 50010\n(515) 239-5646 \nMon. – Thurs.: 9 a.m. – 9 p.m.\nFri. & Sat.: 9 a.m. – 6 p.m.\nSun: 1 – 5 p.m.
URL:https://calendar.amesart.org/event/conversation-circles-chinese-ames-public-library/2026-08-06/
LOCATION:Ames Public Library\, 515 Douglas Ave\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2025/11/ConversationCircles-2022-01-INSTAGRAM-1.png
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260806T183000
DTEND;TZID=America/Chicago:20260806T200000
DTSTAMP:20260813T082158
CREATED:20260802T235105Z
LAST-MODIFIED:20260802T235105Z
UID:10005391-1786041000-1786046400@calendar.amesart.org
SUMMARY:Rolling Hills Music Festival - A Walk in the Park
DESCRIPTION:Actually\, life IS a walk in the park — at least for one night! Rolling Hills Music Festival kicks off with an immersive outdoor concert to be enjoyed at your own pace. Make your way through McFarland Park to the sounds of live classical music played by local and regional musicians: \n\nAmes native Caleb Hans Polashek will dazzle with original solo violin music inspired by Iowa’s natural landscape and moments of everyday life.\nHailing from eastern Iowa\, guitarist Abigail Rae will present a mix of historical works and her own compositions.\nDes Moines-based Erica Leake McKnight and Steven Kennedy join forces for the flute-guitar set you never knew you needed.\nFour Ames string talents form a one-night-only string quartet playing heartwarming tunes: violinists Dekel Luban and Gretchen Theesfield\, violist Nathalie Cruden\, and cellist Yeil Park.\n\nPack your blanket\, a snack\, and maybe some bug spray for an evening of music that feels exactly like summer is meant to.
URL:https://calendar.amesart.org/event/rolling-hills-music-festival-a-walk-in-the-park/
LOCATION:McFarland Park\, 56461 180th St.\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/08/0eea2d2e-0ae6-4971-87f6-674057a4c4da.jpg
ORGANIZER;CN="Rolling Hills Music Festival":MAILTO:heyaridubin@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260807T100000
DTEND;TZID=America/Chicago:20260807T160000
DTSTAMP:20260813T082158
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002417-1786096800-1786118400@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-08-07/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260807T120000
DTEND;TZID=America/Chicago:20260807T160000
DTSTAMP:20260813T082158
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004341-1786104000-1786118400@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-08-07/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260807T140000
DTEND;TZID=America/Chicago:20260807T160000
DTSTAMP:20260813T082158
CREATED:20251103T024936Z
LAST-MODIFIED:20251103T024936Z
UID:10001250-1786111200-1786118400@calendar.amesart.org
SUMMARY:Optimae Life Services at APL - Ames Public Library
DESCRIPTION:Staff from Optimae Life Services will be available in the Library to connect visitors with resources for mental health\, home health\, and community integration services. Lisa Fawcett Nilsson Study Room – 2nd floor \n515 Douglas Avenue\nAmes\, IA 50010\n(515) 239-5646 \nMon. – Thurs.: 9 a.m. – 9 p.m.\nFri. & Sat.: 9 a.m. – 6 p.m.\nSun: 1 – 5 p.m.
URL:https://calendar.amesart.org/event/optimae-life-services-at-apl-ames-public-library/2026-08-07/
LOCATION:Ames Public Library\, 515 Douglas Ave\, Ames\, IA\, 50010\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260807T193000
DTEND;TZID=America/Chicago:20260807T210000
DTSTAMP:20260813T082158
CREATED:20260803T000213Z
LAST-MODIFIED:20260803T000213Z
UID:10005392-1786131000-1786136400@calendar.amesart.org
SUMMARY:Rolling Hills Music Festival - Homeward Bound
DESCRIPTION:“We’re all just walking each other home\,” Ram Dass said. This program features string music that honors home and belonging: \nShelley Washington – Middleground (2015)\nMaurice Ravel – Sonata for Violin and Cello (1920–1922)\, dedicated in memory of the composer Claude Debussy\nAntonín Dvořák – String Quartet No. 12\, “American” (1893) \nRachel Walter\, violin\nAri Dubin\, violin\nRoslyn Green\, viola\nYeil Park\, cello \nLearn more on the Rolling Hills Music Festival website.
URL:https://calendar.amesart.org/event/rolling-hills-music-festival-homeward-bound/
LOCATION:Reliable Street Art Gallery\, 4625 Reliable St.\, Ames\, 50014\, United States
ATTACH;FMTTYPE=image/webp:https://calendar.amesart.org/wp-content/uploads/2026/08/6106c228-239c-4311-81ec-2d590892d956.webp
ORGANIZER;CN="Rolling Hills Music Festival":MAILTO:heyaridubin@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260808T100000
DTEND;TZID=America/Chicago:20260808T120000
DTSTAMP:20260813T082158
CREATED:20251103T025730Z
LAST-MODIFIED:20251103T025730Z
UID:10001261-1786183200-1786190400@calendar.amesart.org
SUMMARY:Fiber Arts Meetup - Ames Public Library
DESCRIPTION:Crafters of all ages are invited to join fellow fiber arts enthusiasts and work on their projects. Knit\, crochet\, embroidery\, or any other fiber craft is welcome! Rotary Room \nPlease bring your own materials. \n 
URL:https://calendar.amesart.org/event/fiber-arts-meetup-ames-public-library/2026-08-08/
LOCATION:Ames Public Library\, 515 Douglas Ave\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2025/11/FiberArtsMeetup-2023-INSTAGRAM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260808T100000
DTEND;TZID=America/Chicago:20260808T150000
DTSTAMP:20260813T082158
CREATED:20260730T014134Z
LAST-MODIFIED:20260730T014134Z
UID:10005387-1786183200-1786201200@calendar.amesart.org
SUMMARY:Vintage Bridal Sale - ACTORS
DESCRIPTION:ACTORS Vintage Bridal Sale \nSat.\, Aug. 8 from 10 a.m. – 3 p.m. at ACTORS – 120 Abraham Dr. Ames\, IA \nItems for sale include: \n\nBridal gowns circa 1940 to 1990\nBridesmaids dresses in a variety of styles\nMother-of-the-bride and Mother-of-the-groom attire\nWedding\, evening\, and holiday wear\nHats\, veils\, and other wedding accessories\n\nMethod of Payment: Cash\, Venmo\, and charge cards (includes 3% fee) \nAll sales are “As Is” and Final
URL:https://calendar.amesart.org/event/vintage-bridal-sale-actors/
LOCATION:Ames Community Theater\, 120 Abraham Drive\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/07/bridal-gowns.jpg
ORGANIZER;CN="Ames Community Theater":MAILTO:info@actorsinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260808T130000
DTEND;TZID=America/Chicago:20260808T150000
DTSTAMP:20260813T082158
CREATED:20260802T234329Z
LAST-MODIFIED:20260802T234329Z
UID:10005390-1786194000-1786201200@calendar.amesart.org
SUMMARY:Rolling Hills Music Festival  Community Play-Along - Ames History Museum
DESCRIPTION:Sat.\, Aug. 8\, 1 -3 p.m. | Ames History Museum\, 416 Douglas Ave. \nBring your instrument and join the band!  Students\, amateurs\, and professionals alike are invited to come together to play chamber music as it was originally intended to be played: not on big stages\, but among friends in intimate spaces. People can sign up in advance to receive parts to practice or just show up. \nPlayers of all levels are welcome to join. Snacks and non-alcoholic beverages will be provided. Plus\, take a stroll through the Ames History Museum to view musical artifacts from the collection! \nLearn more about the Rolling Hills Music Festival. This is one of five events across four days! \nAmes History Museum will have free admission all day – 10 a.m. – 4 p.m.
URL:https://calendar.amesart.org/event/rolling-hills-music-festival-community-play-along-ames-history-museum/
LOCATION:Ames History Museum\, 416 Douglas Ave.\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/webp:https://calendar.amesart.org/wp-content/uploads/2026/08/string-musicians.webp
ORGANIZER;CN="Rolling Hills Music Festival":MAILTO:heyaridubin@gmail.com
END:VEVENT
END:VCALENDAR