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X-WR-CALDESC:Events for Ames Community Arts Council
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DTSTART;TZID=America/Chicago:20261031T193000
DTEND;TZID=America/Chicago:20261031T193000
DTSTAMP:20261104T154044
CREATED:20260817T033419Z
LAST-MODIFIED:20260817T034402Z
UID:10005497-1793475000-1793475000@calendar.amesart.org
SUMMARY:Evil Dead The Musical - Ames Community Theater (ACTORS)
DESCRIPTION:By George Reinblatt and Music by Frank Cipolla\, Melissa Morris\, Christopher Bond \nGroovy songs\, bloody fun\, and all the Evil Dead you can handle! \nFive college friends want to let loose. Where else can they go but that remote abandoned cabin in the woods? This hair-brained musical will have you screaming for more as the demons possess and a roaring chainsaw dismembers. See Ash and his friends in the spectacle complete with bad jokes\, off-the-wall lyrics and lots and lots of blood. \nEvil Dead The Musical is presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIshows.com \n7:30 p.m.: Oct. 28\, 29\, 30\, 31\, Nov. 6\, 7 | 2 p.m.: Nov. 8 | Get tickets on the ACTORS website or the Octagon Shop\, 427 Douglas Ave.\, Downtown Ames\n 
URL:https://calendar.amesart.org/event/evil-dead-the-musical-ames-community-theater-actors-2/2026-10-31/
LOCATION:Ames Community Theater\, 120 Abraham Drive\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/08/Evil-Dead-ACTORS.jpg
ORGANIZER;CN="Ames Community Theater":MAILTO:info@actorsinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261030T193000
DTEND;TZID=America/Chicago:20261030T193000
DTSTAMP:20261104T154044
CREATED:20260817T033419Z
LAST-MODIFIED:20260817T034402Z
UID:10005496-1793388600-1793388600@calendar.amesart.org
SUMMARY:Evil Dead The Musical - Ames Community Theater (ACTORS)
DESCRIPTION:By George Reinblatt and Music by Frank Cipolla\, Melissa Morris\, Christopher Bond \nGroovy songs\, bloody fun\, and all the Evil Dead you can handle! \nFive college friends want to let loose. Where else can they go but that remote abandoned cabin in the woods? This hair-brained musical will have you screaming for more as the demons possess and a roaring chainsaw dismembers. See Ash and his friends in the spectacle complete with bad jokes\, off-the-wall lyrics and lots and lots of blood. \nEvil Dead The Musical is presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIshows.com \n7:30 p.m.: Oct. 28\, 29\, 30\, 31\, Nov. 6\, 7 | 2 p.m.: Nov. 8 | Get tickets on the ACTORS website or the Octagon Shop\, 427 Douglas Ave.\, Downtown Ames\n 
URL:https://calendar.amesart.org/event/evil-dead-the-musical-ames-community-theater-actors-2/2026-10-30/
LOCATION:Ames Community Theater\, 120 Abraham Drive\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/08/Evil-Dead-ACTORS.jpg
ORGANIZER;CN="Ames Community Theater":MAILTO:info@actorsinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261030T120000
DTEND;TZID=America/Chicago:20261030T160000
DTSTAMP:20261104T154044
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004401-1793361600-1793376000@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-30/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261030T100000
DTEND;TZID=America/Chicago:20261030T160000
DTSTAMP:20261104T154044
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002477-1793354400-1793376000@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-30/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261029T193000
DTEND;TZID=America/Chicago:20261029T193000
DTSTAMP:20261104T154044
CREATED:20260817T033419Z
LAST-MODIFIED:20260817T034402Z
UID:10005495-1793302200-1793302200@calendar.amesart.org
SUMMARY:Evil Dead The Musical - Ames Community Theater (ACTORS)
DESCRIPTION:By George Reinblatt and Music by Frank Cipolla\, Melissa Morris\, Christopher Bond \nGroovy songs\, bloody fun\, and all the Evil Dead you can handle! \nFive college friends want to let loose. Where else can they go but that remote abandoned cabin in the woods? This hair-brained musical will have you screaming for more as the demons possess and a roaring chainsaw dismembers. See Ash and his friends in the spectacle complete with bad jokes\, off-the-wall lyrics and lots and lots of blood. \nEvil Dead The Musical is presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIshows.com \n7:30 p.m.: Oct. 28\, 29\, 30\, 31\, Nov. 6\, 7 | 2 p.m.: Nov. 8 | Get tickets on the ACTORS website or the Octagon Shop\, 427 Douglas Ave.\, Downtown Ames\n 
URL:https://calendar.amesart.org/event/evil-dead-the-musical-ames-community-theater-actors-2/2026-10-29/
LOCATION:Ames Community Theater\, 120 Abraham Drive\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/08/Evil-Dead-ACTORS.jpg
ORGANIZER;CN="Ames Community Theater":MAILTO:info@actorsinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261029T120000
DTEND;TZID=America/Chicago:20261029T160000
DTSTAMP:20261104T154044
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004400-1793275200-1793289600@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-29/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261029T100000
DTEND;TZID=America/Chicago:20261029T160000
DTSTAMP:20261104T154044
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002476-1793268000-1793289600@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-29/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261028T193000
DTEND;TZID=America/Chicago:20261028T193000
DTSTAMP:20261104T154044
CREATED:20260817T033419Z
LAST-MODIFIED:20260817T034402Z
UID:10005494-1793215800-1793215800@calendar.amesart.org
SUMMARY:Evil Dead The Musical - Ames Community Theater (ACTORS)
DESCRIPTION:By George Reinblatt and Music by Frank Cipolla\, Melissa Morris\, Christopher Bond \nGroovy songs\, bloody fun\, and all the Evil Dead you can handle! \nFive college friends want to let loose. Where else can they go but that remote abandoned cabin in the woods? This hair-brained musical will have you screaming for more as the demons possess and a roaring chainsaw dismembers. See Ash and his friends in the spectacle complete with bad jokes\, off-the-wall lyrics and lots and lots of blood. \nEvil Dead The Musical is presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIshows.com \n7:30 p.m.: Oct. 28\, 29\, 30\, 31\, Nov. 6\, 7 | 2 p.m.: Nov. 8 | Get tickets on the ACTORS website or the Octagon Shop\, 427 Douglas Ave.\, Downtown Ames\n 
URL:https://calendar.amesart.org/event/evil-dead-the-musical-ames-community-theater-actors-2/2026-10-28/
LOCATION:Ames Community Theater\, 120 Abraham Drive\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/08/Evil-Dead-ACTORS.jpg
ORGANIZER;CN="Ames Community Theater":MAILTO:info@actorsinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261028T190000
DTEND;TZID=America/Chicago:20261028T200000
DTSTAMP:20261104T154044
CREATED:20260905T173302Z
LAST-MODIFIED:20260905T173849Z
UID:10005667-1793214000-1793217600@calendar.amesart.org
SUMMARY:Mixed Level Belly Dance (OCT/NOV)\, Ages 14+ at the Octagon
DESCRIPTION:Mixed‑Level Belly Dance Ages 14+\nWed.\, 7 – 8 p.m.\nOct. 14 – Nov. 11 (5 weeks)\n$40 \nActivate and strengthen your core while exploring a joyful\, full‑body dance flow taught by skilled professional dancers and instructors with Mirage Middle Eastern Dance Troupe. This mixed‑level class incorporates the foundational elements of belly dance\, balance\, strength\, musicality\, and torso isolations while offering options to layer movements\, add shimmies\, and explore more complex technique and choreography. You’ll learn short combinations\, incorporate expressive hand and arm movements\, and build confidence at your own pace. Perfect for dancers of all levels\, bodies\, and abilities! \nInstructor: Melinda Jenkins-Moore\nClass Size Limit: 12\nStudio Location: Dance Studio\, 2nd Floor
URL:https://calendar.amesart.org/event/mixed-level-belly-dance-oct-nov-ages-14-at-the-octagon/2026-10-28/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Belly-Dance.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261028T173000
DTEND;TZID=America/Chicago:20261028T203000
DTSTAMP:20261104T154044
CREATED:20261021T130237Z
LAST-MODIFIED:20261021T130237Z
UID:10005789-1793208600-1793219400@calendar.amesart.org
SUMMARY:The Workspace presents Intermediate Glass Beads Workshop with Rhonda Scott
DESCRIPTION:Take your lamp-work skills to the next level! Learn several ways to add fine silver wire and silver foil to your beads\, adding another layer of depth to your tiny masterpiece. \nOpen to ages 18+ who have completed a beginning glass beads class. \nWed.\, Oct. 28 from 5:30-8:30 p.m. \nISU $32/Public $42 \nRegistration Notes: A $1 MidwesTix service fee will be applied to each ticket\, and a 3% processing fee will be applied to online purchases. ISU price is available for current students\, faculty\, and staff only. Bring your ISU ID to the first class to avoid an upcharge to the public price. \nLike us on Facebook! \nwww.mu.iastate.edu/workspace
URL:https://calendar.amesart.org/event/the-workspace-presents-intermediate-glass-beads-workshop-with-rhonda-scott/
LOCATION:The Workspace\, The Workspace Iowa State Memorial Union 2229 Lincoln Way Ames\, IA 50014
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2019/09/Glass_Bead_Intensive_for_Cal_3672DABE046F6-e1569386237442.png
ORGANIZER;CN="The Workspace":MAILTO:workspace@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261028T120000
DTEND;TZID=America/Chicago:20261028T160000
DTSTAMP:20261104T154044
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004399-1793188800-1793203200@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-28/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261028T100000
DTEND;TZID=America/Chicago:20261028T160000
DTSTAMP:20261104T154044
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002475-1793181600-1793203200@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-28/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261027T180000
DTEND;TZID=America/Chicago:20261027T210000
DTSTAMP:20261104T154044
CREATED:20260905T180800Z
LAST-MODIFIED:20260905T180800Z
UID:10005732-1793124000-1793134800@calendar.amesart.org
SUMMARY:Mixed Level Wheel Throwing\, Ages 18+ at the Octagon
DESCRIPTION:Mixed Level Wheel Throwing\, Ages 18+\nTues.\, 6 – 9 p.m.\nOct. 20 – Nov. 17 (5 weeks)\n$185 \nTake your wheel throwing skills to the next level in this class designed to help you build confidence and build your wheel throwing abilities. You’ll refine your centering\, shaping\, trimming\, and glazing techniques while exploring more complex forms and developing greater consistency at the wheel. Guidance and demonstrations will be provided  to help you strengthen your skills\, experiment with new approaches\, and create pieces that reflect your growth as an artist. Students should be comfortable with the basic process of throwing on the wheel and have prior wheel-throwing experience to participate. \nClass size limit: 7\nStudio Location: Ceramics/North Studio\, 2nd Floor\nInstructor: Jenn Withers
URL:https://calendar.amesart.org/event/mixed-level-wheel-throwing-ages-18-at-the-octagon/2026-10-27/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/pottery.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261027T120000
DTEND;TZID=America/Chicago:20261027T160000
DTSTAMP:20261104T154044
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004398-1793102400-1793116800@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-27/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261027T100000
DTEND;TZID=America/Chicago:20261027T160000
DTSTAMP:20261104T154044
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002474-1793095200-1793116800@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-27/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261026T183000
DTEND;TZID=America/Chicago:20261026T200000
DTSTAMP:20261104T154045
CREATED:20260120T050055Z
LAST-MODIFIED:20260120T050055Z
UID:10003453-1793039400-1793044800@calendar.amesart.org
SUMMARY:Advocacy Workshop Series - Ames Public Library
DESCRIPTION:Check the Ames Public Library website for more details.
URL:https://calendar.amesart.org/event/advocacy-workshop-series-ames-public-library/2026-10-26/
LOCATION:Ames Public Library\, 515 Douglas Ave\, Ames\, IA\, 50010\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261026T180000
DTEND;TZID=America/Chicago:20261026T203000
DTSTAMP:20261104T154045
CREATED:20260905T175027Z
LAST-MODIFIED:20260905T175027Z
UID:10005723-1793037600-1793046600@calendar.amesart.org
SUMMARY:Wheel Throwing\, Ages 18+ at the Octagon
DESCRIPTION:Wheel Throwing\, Ages 18+\nBeginning/Intermediate skill levels\nMondays\, 6 – 8:30 p.m.\nOct. 26 – Nov. 23 (5 weeks)\n$185 \nThis class will guide you through shaping clay on the wheel\, from centering to finishing simple forms. It’s perfect for beginners or for next level beginners/intermediate potters who wish to practice and hone their skills. All materials provided. All finished work will be available 10 – 14 days after the class ends. \nClass size limit: 7\nStudio Location: Ceramics/North Studio\, 2nd Floor\nInstructor: Allyson Fillmore
URL:https://calendar.amesart.org/event/wheel-throwing-ages-18-at-the-octagon/2026-10-26/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/pottery.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261026T120000
DTEND;TZID=America/Chicago:20261026T160000
DTSTAMP:20261104T154045
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004397-1793016000-1793030400@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-26/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261026T100000
DTEND;TZID=America/Chicago:20261026T160000
DTSTAMP:20261104T154045
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002473-1793008800-1793030400@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-26/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261025T160000
DTEND;TZID=America/Chicago:20261025T190000
DTSTAMP:20261104T154045
CREATED:20261021T125532Z
LAST-MODIFIED:20261021T125532Z
UID:10005782-1792944000-1792954800@calendar.amesart.org
SUMMARY:The Workspace presents Argentine Tango Lessons with Valerie Williams
DESCRIPTION:Argentine Tango Lessons with Valerie Williams \nThis multi-level Milonga (dance party) is an opportunity to learn\, enjoy the expressive music\, and meet new people. From 4 – 5 p.m.\, beginners are introduced to different figures to build upon at following lessons. From 5 – 7 p.m.\, learn techniques to improve your dance skills and try working with different partners. An intermediate level figure will also be introduced during this time. Come solo or with a partner—everyone is welcome! Wear dancing shoes\, smooth-soled shoes\, or socks. \nTango meets Sundays through December 13 (except holiday and break weekends). Lessons meet in Room 3512\, and drop-ins are welcome. Open to ages 18+. \nISU – five lessons for $45/Public – five lessons for $55 \nPurchase a dance punch card at class or on midwestix.com and attend as often as your schedule allows.
URL:https://calendar.amesart.org/event/the-workspace-presents-argentine-tango-lessons-with-valerie-williams/2026-10-25/
LOCATION:Memorial Union Rm 3512\, 2220 Lincoln Way\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2025/10/Tango-for-New-Cal-1.png
ORGANIZER;CN="The Workspace":MAILTO:workspace@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261024T193000
DTEND;TZID=America/Chicago:20261024T193000
DTSTAMP:20261104T154045
CREATED:20261021T121158Z
LAST-MODIFIED:20261021T121158Z
UID:10005777-1792870200-1792870200@calendar.amesart.org
SUMMARY:Ames Town and Gown presents The Goldstein-Peled-Fiterstein Trio
DESCRIPTION:The Goldstein-Peled-Fiterstein Trio\nAlon Goldstein\, piano | Amit Peled\, cello\nAlexander Fiterstein\, clarinet \nCONCERT: Sat.\, Oct. 24\, 2026\, at 7:30 p.m.\nMartha-Ellen Tye Recital Hall\, Estes Music Hall\, Iowa State University \nOn Saturday evening\, October 24\, the Ames Town & Gown Chamber Music Association continues its 2026- 27 season with the Goldstein-Peled-Fiterstein Trio. Ever since Alon Goldstein\, Amit Peled\, and Alexander Fiterstein — three celebrated solo musicians — joined forces as a trio\, the response has been enthusiastic. Performances reflect the special gifts and originality of the three artists\, as well as their marvelous sense of ensemble and love of chamber music. The New York Times praised their “spotless technique.” The Baltimore Sun exclaims\, “The audience was rewarded with stellar playing from start to finish.” Chicago Classical Review describes a “performance at the highest level.” And Pioneer Press raves\, “The energy and passion of all three musicians skyrocketed on the Brahms.” Concerts in recent and upcoming seasons include appearances at the Rockefeller Concerts and Peoples’ Symphony Concerts in New York\, the University of Chicago\, Philadelphia Chamber Music Society\, Interlochen Center for the Arts in Michigan\, New Orleans Friends of Chamber Music\, Chamber Music in Yellow Springs\, Dame Myra Hess Memorial Concerts\, the Schubert Club International Artist Series in St. Paul\, Abbey Bach Festival (OR)\, Auditorium Chamber Music Series (ID)\, and the Rose Theatre in Lincoln Center. \nProgram: Beethoven Trio in B-flat major\, Op. 11\nJoachim Stutschewsky Hassidic Fantasy\nBrahms Trio in A minor\, Op. 114 \nFollowing the concert\, the audience will have the opportunity to meet the artists at our reception. \nOCTOBER 24 CONCERT TICKETS: $35\, available online at www.amestownandgown.org; at Rieman Music (Ames)\, Chocolaterie Stam (Ames)\, and at the door. \nSTUDENT TICKETS: FREE K-12 and college/university with a student ID\nALL SEATING IS GENERAL ADMISSION \nEXTRA EVENTS: Individual master classes with the three performers.\nSee www.amestownandgown.org for details \nSEASON TICKETS ARE STILL AVAILABLE\nDecember 4: THE ASPEN STRING TRIO\nApril 2: EVREN OZEL\, solo piano\nApril 24: TAPESTRY: Postcards from FranceINFORMATION: www.amestownandgown.org or contact Artistic Director Joshua Boggs\, town.gown@gmail.com
URL:https://calendar.amesart.org/event/ames-town-and-gown-presents-the-goldstein-peled-fiterstein-trio/
LOCATION:Martha-Ellen Tye Recital Hall\, ISU\, 300 Union Dr\, Ames\, IA\, 50014\, United States
ATTACH;FMTTYPE=image/webp:https://calendar.amesart.org/wp-content/uploads/2026/10/GPF-Trio.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261023T190000
DTEND;TZID=America/Chicago:20261023T190000
DTSTAMP:20261104T154045
CREATED:20261021T121857Z
LAST-MODIFIED:20261021T121857Z
UID:10005779-1792782000-1792782000@calendar.amesart.org
SUMMARY:Ames History Museum presents History Happy Hour: Jack the Ripper
DESCRIPTION:Ames History Museum\, 416 Douglas Ave.\nTickets are $33 for non-members and $28 for members\nPurchase tickets for the 5:30pm time slot\nPurchase tickets for the 7:00pm time slot\nJoin in a chilling evening at the museum! Explore the mystery of Jack the Ripper with Laurie Law\, sip on two themed drinks\, and enjoy exclusive after-hours exhibit viewing. This event is for ages 21+. Advance reservations required. \nHistory Talk – “Solved? The Case of Jack the Ripper”\nSpeaker: Laurie Law\, Administrative Director of the University Honors Program at Iowa State University \nFor over 138 years\, the mystery of Jack the Ripper has captivated historians\, criminologists\, and the public alike. What is it about this particular case that continues to fascinate the world? Who was responsible? In this talk\, we will take a historical and analytical look at the infamous Jack the Ripper case and its victims. Why today are there still individuals being accused of committing this heinous crime? \nEvent sponsors: Everts Flowers Home & Gifts\, Alluvial Brewing \n\n\n\n\n\nFri.\, Oct. 23\, 2026 – 5:30 p.m. to 8:30 p.m.
URL:https://calendar.amesart.org/event/ames-history-museum-presents-history-happy-hour-jack-the-ripper/2026-10-23/2/
LOCATION:Ames History Museum\, 416 Douglas Ave.\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/10/Jack-the-Ripper-Image.jpg
ORGANIZER;CN="Ames History Museum":MAILTO:info@ameshistory.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261023T173000
DTEND;TZID=America/Chicago:20261023T173000
DTSTAMP:20261104T154045
CREATED:20261021T121857Z
LAST-MODIFIED:20261021T121857Z
UID:10005778-1792776600-1792776600@calendar.amesart.org
SUMMARY:Ames History Museum presents History Happy Hour: Jack the Ripper
DESCRIPTION:Ames History Museum\, 416 Douglas Ave.\nTickets are $33 for non-members and $28 for members\nPurchase tickets for the 5:30pm time slot\nPurchase tickets for the 7:00pm time slot\nJoin in a chilling evening at the museum! Explore the mystery of Jack the Ripper with Laurie Law\, sip on two themed drinks\, and enjoy exclusive after-hours exhibit viewing. This event is for ages 21+. Advance reservations required. \nHistory Talk – “Solved? The Case of Jack the Ripper”\nSpeaker: Laurie Law\, Administrative Director of the University Honors Program at Iowa State University \nFor over 138 years\, the mystery of Jack the Ripper has captivated historians\, criminologists\, and the public alike. What is it about this particular case that continues to fascinate the world? Who was responsible? In this talk\, we will take a historical and analytical look at the infamous Jack the Ripper case and its victims. Why today are there still individuals being accused of committing this heinous crime? \nEvent sponsors: Everts Flowers Home & Gifts\, Alluvial Brewing \n\n\n\n\n\nFri.\, Oct. 23\, 2026 – 5:30 p.m. to 8:30 p.m.
URL:https://calendar.amesart.org/event/ames-history-museum-presents-history-happy-hour-jack-the-ripper/2026-10-23/1/
LOCATION:Ames History Museum\, 416 Douglas Ave.\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/10/Jack-the-Ripper-Image.jpg
ORGANIZER;CN="Ames History Museum":MAILTO:info@ameshistory.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261023T120000
DTEND;TZID=America/Chicago:20261023T160000
DTSTAMP:20261104T154045
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004396-1792756800-1792771200@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-23/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261023T100000
DTEND;TZID=America/Chicago:20261023T160000
DTSTAMP:20261104T154045
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002472-1792749600-1792771200@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-23/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261022T173000
DTEND;TZID=America/Chicago:20261022T200000
DTSTAMP:20261104T154045
CREATED:20260905T181747Z
LAST-MODIFIED:20260905T181944Z
UID:10005736-1792690200-1792699200@calendar.amesart.org
SUMMARY:A Place to Mend\, FREE EVENT\, 4th Thursdays\, ages 21+ at the Octagon
DESCRIPTION:A Place to Mend\nEvery 4th Thursday\n5:30 – 8 p.m. \nAges 21+ (Feel free to bring your favorite beverage; alcoholic or non-alcoholic) \nHave a few mending/repair projects you have been wanting to work on? Gather them up and join the Octagon for some creative\, productive\, and soulful fun. You are encouraged to bring any projects to work on\, i.e… knitting\, crochet\, needle work\, whatever. We will have a special guest\, and author of  Mend it Better\, Kristin Roach\, with us for this community gathering. Kristin is also a published author of worldwide knitting patterns\, the Craftleftovers zine series\, a community organizer\, artist\, and owner of Little Woods: Herbs and Teas in downtown Ames. \nAs always\, Mending nights are free\, or a suggested donation of $5 for instruction\, tips -n- tricks.\n3rd Floor\, Reading Room
URL:https://calendar.amesart.org/event/a-place-to-mend-free-event-4th-thursdays-ages-21-at-the-octagon-3/2026-10-22/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/webp:https://calendar.amesart.org/wp-content/uploads/2023/04/mend.webp
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261022T173000
DTEND;TZID=America/Chicago:20261022T200000
DTSTAMP:20261104T154045
CREATED:20260905T174531Z
LAST-MODIFIED:20260905T174531Z
UID:10005722-1792690200-1792699200@calendar.amesart.org
SUMMARY:A Place to Mend\, FREE EVENT\, 4th Thursdays\, ages 21+ at the Octagon
DESCRIPTION:A Place to Mend\nEvery 4th Thursday\n5:30 – 8 p.m.Ages 21+ (Feel free to bring your favorite beverage; alcoholic or non-alcoholic) \nHave a few mending/repair projects you have been wanting to work on? Gather them up and join the Octagon for some creative\, productive\, and soulful fun. You are encouraged to bring any projects to work on\, i.e… knitting\, crochet\, needle work\, whatever. We will have a special guest\, and author of  Mend it Better\, Kristin Roach\, with us for this community gathering. Kristin is also a published author of worldwide knitting patterns\, the Craftleftovers zine series\, a community organizer\, artist\, and owner of Little Woods: Herbs and Teas in downtown Ames. \nAs always\, Mending nights are free\, or a suggested donation of $5 for instruction\, tips -n- tricks.\n3rd Floor\, Reading Room \nNew in 2026: Monthly Skill Building Themes (6:30 pm)\n\nOctober: Woven Structure Demo & Quilling Supply Giveaway with Kristin Roach. Kristin will be showing the difference between plain and twill structures and use quilling strips to show the difference.
URL:https://calendar.amesart.org/event/a-place-to-mend-free-event-4th-thursdays-ages-21-at-the-octagon-2/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/webp:https://calendar.amesart.org/wp-content/uploads/2023/04/mend.webp
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261022T120000
DTEND;TZID=America/Chicago:20261022T160000
DTSTAMP:20261104T154045
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004395-1792670400-1792684800@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-22/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261022T100000
DTEND;TZID=America/Chicago:20261022T160000
DTSTAMP:20261104T154045
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002471-1792663200-1792684800@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-22/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261021T190000
DTEND;TZID=America/Chicago:20261021T200000
DTSTAMP:20261104T154045
CREATED:20260905T173302Z
LAST-MODIFIED:20260905T173849Z
UID:10005666-1792609200-1792612800@calendar.amesart.org
SUMMARY:Mixed Level Belly Dance (OCT/NOV)\, Ages 14+ at the Octagon
DESCRIPTION:Mixed‑Level Belly Dance Ages 14+\nWed.\, 7 – 8 p.m.\nOct. 14 – Nov. 11 (5 weeks)\n$40 \nActivate and strengthen your core while exploring a joyful\, full‑body dance flow taught by skilled professional dancers and instructors with Mirage Middle Eastern Dance Troupe. This mixed‑level class incorporates the foundational elements of belly dance\, balance\, strength\, musicality\, and torso isolations while offering options to layer movements\, add shimmies\, and explore more complex technique and choreography. You’ll learn short combinations\, incorporate expressive hand and arm movements\, and build confidence at your own pace. Perfect for dancers of all levels\, bodies\, and abilities! \nInstructor: Melinda Jenkins-Moore\nClass Size Limit: 12\nStudio Location: Dance Studio\, 2nd Floor
URL:https://calendar.amesart.org/event/mixed-level-belly-dance-oct-nov-ages-14-at-the-octagon/2026-10-21/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Belly-Dance.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
END:VCALENDAR