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X-WR-CALDESC:Events for Ames Community Arts Council
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DTSTART;TZID=America/Chicago:20260925T120000
DTEND;TZID=America/Chicago:20260925T160000
DTSTAMP:20260923T090948
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004376-1790337600-1790352000@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-09-25/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260927T100000
DTEND;TZID=America/Chicago:20260927T160000
DTSTAMP:20260923T090948
CREATED:20260905T165352Z
LAST-MODIFIED:20260905T165352Z
UID:10005655-1790503200-1790524800@calendar.amesart.org
SUMMARY:55th Annual Octagon Art Festival in Downtown Ames
DESCRIPTION:The Octagon Art Festival takes place the fourth Sunday of September along Main Street in downtown Ames\, IA. The festival is held outdoors on pavement\, RAIN OR SHINE. Visual arts\, children’s art area\, food vendors and performing arts form the foundation of the Octagon Art Festival. Approximately 10\,000 people attend the festival. \nClick Below to get all of your Festival details!\nhttps://octagonarts.org/the-octagon-art-festival/
URL:https://calendar.amesart.org/event/55th-annual-octagon-art-festival-in-downtown-ames/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/Octagon-Art-Festival_Logo-2-3-scaled-1.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260928T100000
DTEND;TZID=America/Chicago:20260928T160000
DTSTAMP:20260923T090948
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002453-1790589600-1790611200@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-09-28/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260928T120000
DTEND;TZID=America/Chicago:20260928T160000
DTSTAMP:20260923T090949
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004377-1790596800-1790611200@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-09-28/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260928T183000
DTEND;TZID=America/Chicago:20260928T200000
DTSTAMP:20260923T090949
CREATED:20260120T050055Z
LAST-MODIFIED:20260120T050055Z
UID:10003452-1790620200-1790625600@calendar.amesart.org
SUMMARY:Advocacy Workshop Series - Ames Public Library
DESCRIPTION:Check the Ames Public Library website for more details.
URL:https://calendar.amesart.org/event/advocacy-workshop-series-ames-public-library/2026-09-28/
LOCATION:Ames Public Library\, 515 Douglas Ave\, Ames\, IA\, 50010\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260929T100000
DTEND;TZID=America/Chicago:20260929T160000
DTSTAMP:20260923T090949
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002454-1790676000-1790697600@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-09-29/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260929T120000
DTEND;TZID=America/Chicago:20260929T160000
DTSTAMP:20260923T090949
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004378-1790683200-1790697600@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-09-29/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260930T100000
DTEND;TZID=America/Chicago:20260930T160000
DTSTAMP:20260923T090949
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002455-1790762400-1790784000@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-09-30/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260930T120000
DTEND;TZID=America/Chicago:20260930T160000
DTSTAMP:20260923T090949
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004379-1790769600-1790784000@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-09-30/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260930T130000
DTEND;TZID=America/Chicago:20260930T140000
DTSTAMP:20260923T090949
CREATED:20260905T163844Z
LAST-MODIFIED:20260905T193825Z
UID:10005545-1790773200-1790776800@calendar.amesart.org
SUMMARY:Home School Drawing Skills\, Ages 5 - 8 (September) at the Octagon
DESCRIPTION:Homeschool Drawing Skills\, Ages 5 – 8 (September)\n\n\nWed.\, 1 – 2 p.m.\nSept. 9 – 30 (4 weeks)\n$65 \nBuild foundational drawing skills through age appropriate lessons designed to encourage observation\, creativity\, and confidence. Students will explore a variety of drawing techniques and materials while learning about artists and art history along the way. As their skills develop\, lessons will build toward projects that allow students to put what they’ve learned into practice. \nInstructor: Tim Read\nClass Size Limit: 10\nStudio Location: TBA\nLearn more about Tim Read and his amazing art HERE
URL:https://calendar.amesart.org/event/home-school-drawing-skills-ages-5-8-september-at-the-octagon/2026-09-30/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/drawing-class_xrhymx.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260930T143000
DTEND;TZID=America/Chicago:20260930T153000
DTSTAMP:20260923T090949
CREATED:20260905T164353Z
LAST-MODIFIED:20260905T193658Z
UID:10005601-1790778600-1790782200@calendar.amesart.org
SUMMARY:Home School Drawing Skills\, Ages 9 - 12 (September) at the Octagon
DESCRIPTION:Homeschool Drawing Skills\, Ages 9 – 12 (September)\nWed.\, 2:30 – 3:30 p.m.\nSeptember 9 – 30 (4 weeks)\n$65 \nDevelop and expand drawing skills through age-appropriate instruction that introduces increasingly advanced techniques and concepts. Students will experiment with a variety of drawing materials\, explore observation and technique\, and learn about artists and art history. Lessons will build toward projects that allow students to apply their skills and develop their own creative approaches. \nInstructor: Tim Read\nClass Size Limit: 10\nStudio Location: TBA\nLearn more about Tim Read and his amazing art HERE
URL:https://calendar.amesart.org/event/home-school-drawing-skills-ages-9-12-september-at-the-octagon/2026-09-30/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/drawing-class_14_tyitwv.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261001T100000
DTEND;TZID=America/Chicago:20261001T160000
DTSTAMP:20260923T090949
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002456-1790848800-1790870400@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-01/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261001T120000
DTEND;TZID=America/Chicago:20261001T160000
DTSTAMP:20260923T090949
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004380-1790856000-1790870400@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-01/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261002T100000
DTEND;TZID=America/Chicago:20261002T160000
DTSTAMP:20260923T090949
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002457-1790935200-1790956800@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-02/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261002T120000
DTEND;TZID=America/Chicago:20261002T160000
DTSTAMP:20260923T090949
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004381-1790942400-1790956800@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-02/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261005T090000
DTEND;TZID=America/Chicago:20261005T150000
DTSTAMP:20260923T090949
CREATED:20260905T172234Z
LAST-MODIFIED:20260905T172515Z
UID:10005659-1791190800-1791212400@calendar.amesart.org
SUMMARY:All Kinds of Art (No School Days)\, Grades K - 5 at the Octagon
DESCRIPTION:All Kinds of Art\, Grades K – 5 (No Pre-K or Early Kindergarten students)\nMon.\, Oct. 5\nMon.\, Oct. 19\nMon.\, Nov.  2\nMon.\, Nov. 16 (Gilbert)\nMon.\, Jan. 18 \n9 a.m. – 3 p.m.\n$60 per workshop  date \nNo School? No Problem! Join the Octagon and get creative on your school days off. We will be making a variety of art projects with a multitude of mixed media materials\, (painting\, drawing\, printmaking\, found object sculpture\, fiber\, wire\, wood\, puffy and gooey stuff\, etc…) Bring a sack lunch\, snack and water bottle. \nAdams Studio\nClass Size Limit: 12
URL:https://calendar.amesart.org/event/all-kinds-of-art-no-school-days-grades-k-5-at-the-octagon/2026-10-05/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/all-kinds-of-art.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261005T100000
DTEND;TZID=America/Chicago:20261005T160000
DTSTAMP:20260923T090949
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002458-1791194400-1791216000@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-05/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261005T120000
DTEND;TZID=America/Chicago:20261005T160000
DTSTAMP:20260923T090949
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004382-1791201600-1791216000@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-05/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261006T100000
DTEND;TZID=America/Chicago:20261006T160000
DTSTAMP:20260923T090949
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002459-1791280800-1791302400@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-06/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261006T120000
DTEND;TZID=America/Chicago:20261006T160000
DTSTAMP:20260923T090949
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004383-1791288000-1791302400@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-06/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261006T180000
DTEND;TZID=America/Chicago:20261006T200000
DTSTAMP:20260923T090949
CREATED:20260905T175547Z
LAST-MODIFIED:20260905T175547Z
UID:10005728-1791309600-1791316800@calendar.amesart.org
SUMMARY:Drawing Skills Workshop\, Ages 13–18 at the Octagon
DESCRIPTION:Drawing Skills Workshop\, Ages 13–18\n(This class may be appropriate for some 12 year olds\, with instructor permission*) \nTues. & Wed.\, Oct. 6 & 7\n6 – 8 p.m.\n$80 \nExplore drawing through short\, focused lessons designed to introduce a variety of techniques and approaches. Each one-hour session will feature a different drawing skill or concept\, with a selection of materials available for students to experiment with. A flexible format that encourages practice\, exploration\, and individual creativity. All skill levels welcome. All materials provided. \n*Please contact education@octagonarts.org to inquire about your 12 year old and their readiness for this class. \nInstructor: Tim Read\nClass Size Limit: 10\nStudio Location: TBA\nLearn more about Tim Read HERE
URL:https://calendar.amesart.org/event/drawing-skills-workshop-ages-13-18-at-the-octagon/2026-10-06/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2022/11/DrawingWorkshop.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261007T100000
DTEND;TZID=America/Chicago:20261007T160000
DTSTAMP:20260923T090949
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002460-1791367200-1791388800@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-07/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261007T120000
DTEND;TZID=America/Chicago:20261007T160000
DTSTAMP:20260923T090949
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004384-1791374400-1791388800@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-07/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261007T180000
DTEND;TZID=America/Chicago:20261007T200000
DTSTAMP:20260923T090949
CREATED:20251108T013505Z
LAST-MODIFIED:20251108T152056Z
UID:10001675-1791396000-1791403200@calendar.amesart.org
SUMMARY:Maker Nights - Reiman Gardens
DESCRIPTION:Bring your friends and get creative with Maker Nights at Reiman Gardens!\nVarious Wednesday evenings\, 6 – 8 p.m. \nAll projects are inspired by nature and are simple but elegant. Select from topics typically offered on first Wednesdays in the spring and fall: \n\n2025 Workshops\nDecember 3: Air Plant Globes \n\nSelect from various materials such as sand\, perlite\, soil\, pebbles\, and other decorative objects to form a base for an air plant that will sit within an open glass globe. Globes can then be suspended from the ceiling or other plant hangers in your home. Each participant will make 2 globes.\n\n\n2026 Workshops\n\nJanuary 7: Seed Art\nFebruary 4: Botanical Doodling\nSPECIAL: February 12: PALentine’s Day Maker Night: Fired Ink Wall Art\nMarch 4: Pulp Painting\nApril 1: Pressed Flower Birds\nJuly 1: MINI Maker Night: Canvas Paintings\nJuly 8: MINI Maker Night: Micro Collages\nSeptember 2: Spore Printing\nOctober 7: Pressed Flower Landscapes\nNovember 4: Tiny Terrariums\nDecember 2: Mini Macrame Wall Hanging\n\n\n\nPrices\n\n\n$30\nGeneral Public \n\n\n$18\nMembers Must Present Membership Card at Check-In\n\n\n$15\nISU Students Valid with Student ID\n\n\n\nVisit https://reimangardens.com/events to find out more and to register.
URL:https://calendar.amesart.org/event/maker-nights-reiman-gardens/2026-10-07/
LOCATION:Reiman Gardens\, 1407 University Blvd\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/11/MN-air-plant-globe.jpg
ORGANIZER;CN="Reiman Gardens":MAILTO:reimangardens@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261007T180000
DTEND;TZID=America/Chicago:20261007T200000
DTSTAMP:20260923T090949
CREATED:20260905T175547Z
LAST-MODIFIED:20260905T175547Z
UID:10005729-1791396000-1791403200@calendar.amesart.org
SUMMARY:Drawing Skills Workshop\, Ages 13–18 at the Octagon
DESCRIPTION:Drawing Skills Workshop\, Ages 13–18\n(This class may be appropriate for some 12 year olds\, with instructor permission*) \nTues. & Wed.\, Oct. 6 & 7\n6 – 8 p.m.\n$80 \nExplore drawing through short\, focused lessons designed to introduce a variety of techniques and approaches. Each one-hour session will feature a different drawing skill or concept\, with a selection of materials available for students to experiment with. A flexible format that encourages practice\, exploration\, and individual creativity. All skill levels welcome. All materials provided. \n*Please contact education@octagonarts.org to inquire about your 12 year old and their readiness for this class. \nInstructor: Tim Read\nClass Size Limit: 10\nStudio Location: TBA\nLearn more about Tim Read HERE
URL:https://calendar.amesart.org/event/drawing-skills-workshop-ages-13-18-at-the-octagon/2026-10-07/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2022/11/DrawingWorkshop.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261008T100000
DTEND;TZID=America/Chicago:20261008T160000
DTSTAMP:20260923T090949
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002461-1791453600-1791475200@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-08/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261008T120000
DTEND;TZID=America/Chicago:20261008T160000
DTSTAMP:20260923T090949
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004385-1791460800-1791475200@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-08/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261009T100000
DTEND;TZID=America/Chicago:20261009T160000
DTSTAMP:20260923T090949
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002462-1791540000-1791561600@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-09/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261009T120000
DTEND;TZID=America/Chicago:20261009T160000
DTSTAMP:20260923T090949
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004386-1791547200-1791561600@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-09/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261012T100000
DTEND;TZID=America/Chicago:20261012T160000
DTSTAMP:20260923T090949
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002463-1791799200-1791820800@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-12/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
END:VCALENDAR