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DTSTART;TZID=America/Chicago:20261201T180000
DTEND;TZID=America/Chicago:20261201T200000
DTSTAMP:20260703T050536
CREATED:20260124T161611Z
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SUMMARY:Portrait Painting Ages\, 18+ - Octagon Center for the Arts
DESCRIPTION:Art of the Portrait\,  Ages 18+\nTuesdays\, 6 – 8 p.m.\nFebruary 10 – 24 (3 weeks)\n$85 \nStudents will explore the art of painting portraits.  Students have the choice to paint from a photo\, or paint a self-portrait by using a mirror. Students will learn to explore color\, likeness\, and the many ways of depicting a person on canvas.\nOil paint focused\, but other media are also welcome. All skill levels are welcome! \nInstructor: Zack Bukovich\nClass Size Limit: 10\nStudio Location: TBA \nStudent supply list:\nChoose preferred type of Paint: Gouache\, Acrylic or Oil Paint \n\n4-6 canvases\, panels or paper\, between 9 x12” and 16 x 20”\n\nGouache or Acrylic Supplies: \n\nGouache or Acrylic paints: A simple color palette of basic colors (red\, blue\, yellow\, black\, white and brown).\nBrushes*\n\nOil Painting Supplies: \n\nOil Paints:  Ivory Black\, Yellow Ochre\, Titanium white\, warm yellow and cool yellow (usually cadmium yellow and lemon yellow)\, warm red and cool red (usually cadmium red and alizarin crimson) and ultramarine blue; other colors of your choice (bring what you have).\nMixed sized brushes (can be bristle or synthetic)*\nPalette Knife\nPalette surface (sheets are fine)\nOdorless Turpentine or Gamsol\nPaint mixing tray\n*The Octagon will provide  paper towels\, pencils\, gently used paintbrushes of varying type and size.
URL:https://calendar.amesart.org/event/portrait-painting-ages-18-octagon-center-for-the-arts-2/2026-12-01/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Self_Portrait_Class_brlmev.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261202T100000
DTEND;TZID=America/Chicago:20261202T160000
DTSTAMP:20260703T050536
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002500-1796205600-1796227200@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-12-02/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261202T180000
DTEND;TZID=America/Chicago:20261202T200000
DTSTAMP:20260703T050536
CREATED:20251108T013505Z
LAST-MODIFIED:20251108T152056Z
UID:10001677-1796234400-1796241600@calendar.amesart.org
SUMMARY:Maker Nights - Reiman Gardens
DESCRIPTION:Bring your friends and get creative with Maker Nights at Reiman Gardens!\nVarious Wednesday evenings\, 6 – 8 p.m. \nAll projects are inspired by nature and are simple but elegant. Select from topics typically offered on first Wednesdays in the spring and fall: \n\n2025 Workshops\nDecember 3: Air Plant Globes \n\nSelect from various materials such as sand\, perlite\, soil\, pebbles\, and other decorative objects to form a base for an air plant that will sit within an open glass globe. Globes can then be suspended from the ceiling or other plant hangers in your home. Each participant will make 2 globes.\n\n\n2026 Workshops\n\nJanuary 7: Seed Art\nFebruary 4: Botanical Doodling\nSPECIAL: February 12: PALentine’s Day Maker Night: Fired Ink Wall Art\nMarch 4: Pulp Painting\nApril 1: Pressed Flower Birds\nJuly 1: MINI Maker Night: Canvas Paintings\nJuly 8: MINI Maker Night: Micro Collages\nSeptember 2: Spore Printing\nOctober 7: Pressed Flower Landscapes\nNovember 4: Tiny Terrariums\nDecember 2: Mini Macrame Wall Hanging\n\n\n\nPrices\n\n\n$30\nGeneral Public \n\n\n$18\nMembers Must Present Membership Card at Check-In\n\n\n$15\nISU Students Valid with Student ID\n\n\n\nVisit https://reimangardens.com/events to find out more and to register.
URL:https://calendar.amesart.org/event/maker-nights-reiman-gardens/2026-12-02/
LOCATION:Reiman Gardens\, 1407 University Blvd\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/11/MN-air-plant-globe.jpg
ORGANIZER;CN="Reiman Gardens":MAILTO:reimangardens@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261203T100000
DTEND;TZID=America/Chicago:20261203T160000
DTSTAMP:20260703T050536
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002501-1796292000-1796313600@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-12-03/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261204T100000
DTEND;TZID=America/Chicago:20261204T160000
DTSTAMP:20260703T050536
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002502-1796378400-1796400000@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-12-04/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261207T100000
DTEND;TZID=America/Chicago:20261207T160000
DTSTAMP:20260703T050536
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002503-1796637600-1796659200@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-12-07/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261207T133000
DTEND;TZID=America/Chicago:20261207T133000
DTSTAMP:20260703T050536
CREATED:20260201T203327Z
LAST-MODIFIED:20260201T203327Z
UID:10004148-1796650200-1796650200@calendar.amesart.org
SUMMARY:Holiday Concert - Heart of Iowa Band
DESCRIPTION:Stop by the North Grand Mall to enjoy holiday music with the Heart of Iowa Band! \nThe band will be performing free holiday concerts at the mall on Monday’s December 7\, 14\, and 21.
URL:https://calendar.amesart.org/event/holiday-concert-heart-of-iowa-band/2026-12-07/
LOCATION:North Grand Mall\, 2801 Grand Ave\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/02/HeartOfIowaBand_web.jpg
ORGANIZER;CN="Heart of Iowa Band":MAILTO:barbkfry@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261208T100000
DTEND;TZID=America/Chicago:20261208T160000
DTSTAMP:20260703T050536
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002504-1796724000-1796745600@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-12-08/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261208T180000
DTEND;TZID=America/Chicago:20261208T200000
DTSTAMP:20260703T050536
CREATED:20260124T161611Z
LAST-MODIFIED:20260124T161611Z
UID:10003600-1796752800-1796760000@calendar.amesart.org
SUMMARY:Portrait Painting Ages\, 18+ - Octagon Center for the Arts
DESCRIPTION:Art of the Portrait\,  Ages 18+\nTuesdays\, 6 – 8 p.m.\nFebruary 10 – 24 (3 weeks)\n$85 \nStudents will explore the art of painting portraits.  Students have the choice to paint from a photo\, or paint a self-portrait by using a mirror. Students will learn to explore color\, likeness\, and the many ways of depicting a person on canvas.\nOil paint focused\, but other media are also welcome. All skill levels are welcome! \nInstructor: Zack Bukovich\nClass Size Limit: 10\nStudio Location: TBA \nStudent supply list:\nChoose preferred type of Paint: Gouache\, Acrylic or Oil Paint \n\n4-6 canvases\, panels or paper\, between 9 x12” and 16 x 20”\n\nGouache or Acrylic Supplies: \n\nGouache or Acrylic paints: A simple color palette of basic colors (red\, blue\, yellow\, black\, white and brown).\nBrushes*\n\nOil Painting Supplies: \n\nOil Paints:  Ivory Black\, Yellow Ochre\, Titanium white\, warm yellow and cool yellow (usually cadmium yellow and lemon yellow)\, warm red and cool red (usually cadmium red and alizarin crimson) and ultramarine blue; other colors of your choice (bring what you have).\nMixed sized brushes (can be bristle or synthetic)*\nPalette Knife\nPalette surface (sheets are fine)\nOdorless Turpentine or Gamsol\nPaint mixing tray\n*The Octagon will provide  paper towels\, pencils\, gently used paintbrushes of varying type and size.
URL:https://calendar.amesart.org/event/portrait-painting-ages-18-octagon-center-for-the-arts-2/2026-12-08/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Self_Portrait_Class_brlmev.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261209T100000
DTEND;TZID=America/Chicago:20261209T160000
DTSTAMP:20260703T050536
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002505-1796810400-1796832000@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-12-09/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261209T183000
DTEND;TZID=America/Chicago:20261209T203000
DTSTAMP:20260703T050536
CREATED:20260121T135911Z
LAST-MODIFIED:20260121T135911Z
UID:10003529-1796841000-1796848200@calendar.amesart.org
SUMMARY:That's Fun - Ames Public Library
DESCRIPTION:Adulthood isn’t always fun\, but at the Library it can be. Connect with other adults for a different fun-filled activity each month to build community. Check the APL calendar closer to the event date for more details. \nHeld in the Farwell T. Brown Auditorium.
URL:https://calendar.amesart.org/event/thats-fun-ames-public-library/2026-12-09/
LOCATION:IA
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/01/ThatsFun-2026-FB-INSTAGRAM-02.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261210T100000
DTEND;TZID=America/Chicago:20261210T160000
DTSTAMP:20260703T050536
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002506-1796896800-1796918400@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-12-10/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261211T100000
DTEND;TZID=America/Chicago:20261211T160000
DTSTAMP:20260703T050536
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002507-1796983200-1797004800@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-12-11/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261214T100000
DTEND;TZID=America/Chicago:20261214T160000
DTSTAMP:20260703T050536
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002508-1797242400-1797264000@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-12-14/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261214T133000
DTEND;TZID=America/Chicago:20261214T133000
DTSTAMP:20260703T050536
CREATED:20260201T203327Z
LAST-MODIFIED:20260201T203327Z
UID:10004149-1797255000-1797255000@calendar.amesart.org
SUMMARY:Holiday Concert - Heart of Iowa Band
DESCRIPTION:Stop by the North Grand Mall to enjoy holiday music with the Heart of Iowa Band! \nThe band will be performing free holiday concerts at the mall on Monday’s December 7\, 14\, and 21.
URL:https://calendar.amesart.org/event/holiday-concert-heart-of-iowa-band/2026-12-14/
LOCATION:North Grand Mall\, 2801 Grand Ave\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/02/HeartOfIowaBand_web.jpg
ORGANIZER;CN="Heart of Iowa Band":MAILTO:barbkfry@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261215T100000
DTEND;TZID=America/Chicago:20261215T160000
DTSTAMP:20260703T050536
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002509-1797328800-1797350400@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-12-15/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261215T180000
DTEND;TZID=America/Chicago:20261215T190000
DTSTAMP:20260703T050536
CREATED:20251108T011046Z
LAST-MODIFIED:20251108T011350Z
UID:10001664-1797357600-1797361200@calendar.amesart.org
SUMMARY:Floral Design Workshops - Reiman Gardens
DESCRIPTION:Learn to create beautiful floral arrangements to take home – a different style each month!\nThird Tuesday of each month\, 6 – 7 p.m. \nJoin cherished instructor and State Fair Master Floral Judge Sandy Gossman for a different monthly hands-on floral arrangement workshop. Designs range from contemporary vase arrangements to structured forms using tropical leaves\, dried materials\, event florals\, and more! Materials include a mixture of market flowers and seasonal flowers cut fresh from Reiman Gardens. \n\n2025 Dates & Topics\n\nNovember 18: Woody & Wild\nDecember 16: Solstice Centerpieces (oasis)\n\n2026 Dates & Topics\n\nJanuary 20: Grocer’s Roses\nFebruary 17: Floral Flurries\nMarch 17: Green Goodness\nApril 21: Fairy Garden Tea Cups (2 tea cups)\nMay 19: Tropic Like It’s Hot\nJune 16: Herbal Centerpieces (oasis)\nJuly 21:Miniature Masterpieces (vases or oasis)\nAugust 18: Big Bloom Bunches\nSeptember 15: Colorful Crescents\nOctober 20: Succulent Pumpkins (pumpkin)\nNovember 17: Grassy Swags (wire frame)\nDecember 15: Winter Ikebana (oasis or frogs)\n\nCOPY LINK \n\nPrices\n\n\n$62\nGeneral Public Any age\n\n\n$50\nMembers Must Present Membership Card at Check-In\n\n\n$43\nISU Students Valid with Student ID
URL:https://calendar.amesart.org/event/floral-design-workshops-reiman-gardens/2026-12-15/
LOCATION:Reiman Gardens\, 1407 University Blvd\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/11/Floral.jpg
ORGANIZER;CN="Reiman Gardens":MAILTO:reimangardens@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261215T180000
DTEND;TZID=America/Chicago:20261215T200000
DTSTAMP:20260703T050536
CREATED:20260124T161611Z
LAST-MODIFIED:20260124T161611Z
UID:10003601-1797357600-1797364800@calendar.amesart.org
SUMMARY:Portrait Painting Ages\, 18+ - Octagon Center for the Arts
DESCRIPTION:Art of the Portrait\,  Ages 18+\nTuesdays\, 6 – 8 p.m.\nFebruary 10 – 24 (3 weeks)\n$85 \nStudents will explore the art of painting portraits.  Students have the choice to paint from a photo\, or paint a self-portrait by using a mirror. Students will learn to explore color\, likeness\, and the many ways of depicting a person on canvas.\nOil paint focused\, but other media are also welcome. All skill levels are welcome! \nInstructor: Zack Bukovich\nClass Size Limit: 10\nStudio Location: TBA \nStudent supply list:\nChoose preferred type of Paint: Gouache\, Acrylic or Oil Paint \n\n4-6 canvases\, panels or paper\, between 9 x12” and 16 x 20”\n\nGouache or Acrylic Supplies: \n\nGouache or Acrylic paints: A simple color palette of basic colors (red\, blue\, yellow\, black\, white and brown).\nBrushes*\n\nOil Painting Supplies: \n\nOil Paints:  Ivory Black\, Yellow Ochre\, Titanium white\, warm yellow and cool yellow (usually cadmium yellow and lemon yellow)\, warm red and cool red (usually cadmium red and alizarin crimson) and ultramarine blue; other colors of your choice (bring what you have).\nMixed sized brushes (can be bristle or synthetic)*\nPalette Knife\nPalette surface (sheets are fine)\nOdorless Turpentine or Gamsol\nPaint mixing tray\n*The Octagon will provide  paper towels\, pencils\, gently used paintbrushes of varying type and size.
URL:https://calendar.amesart.org/event/portrait-painting-ages-18-octagon-center-for-the-arts-2/2026-12-15/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Self_Portrait_Class_brlmev.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261216T100000
DTEND;TZID=America/Chicago:20261216T160000
DTSTAMP:20260703T050536
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002510-1797415200-1797436800@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-12-16/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261217T100000
DTEND;TZID=America/Chicago:20261217T160000
DTSTAMP:20260703T050536
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002511-1797501600-1797523200@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-12-17/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261218T100000
DTEND;TZID=America/Chicago:20261218T160000
DTSTAMP:20260703T050536
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002512-1797588000-1797609600@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-12-18/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261221T133000
DTEND;TZID=America/Chicago:20261221T133000
DTSTAMP:20260703T050536
CREATED:20260201T203327Z
LAST-MODIFIED:20260201T203327Z
UID:10004150-1797859800-1797859800@calendar.amesart.org
SUMMARY:Holiday Concert - Heart of Iowa Band
DESCRIPTION:Stop by the North Grand Mall to enjoy holiday music with the Heart of Iowa Band! \nThe band will be performing free holiday concerts at the mall on Monday’s December 7\, 14\, and 21.
URL:https://calendar.amesart.org/event/holiday-concert-heart-of-iowa-band/2026-12-21/
LOCATION:North Grand Mall\, 2801 Grand Ave\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/02/HeartOfIowaBand_web.jpg
ORGANIZER;CN="Heart of Iowa Band":MAILTO:barbkfry@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261222T180000
DTEND;TZID=America/Chicago:20261222T200000
DTSTAMP:20260703T050536
CREATED:20260124T161611Z
LAST-MODIFIED:20260124T161611Z
UID:10003602-1797962400-1797969600@calendar.amesart.org
SUMMARY:Portrait Painting Ages\, 18+ - Octagon Center for the Arts
DESCRIPTION:Art of the Portrait\,  Ages 18+\nTuesdays\, 6 – 8 p.m.\nFebruary 10 – 24 (3 weeks)\n$85 \nStudents will explore the art of painting portraits.  Students have the choice to paint from a photo\, or paint a self-portrait by using a mirror. Students will learn to explore color\, likeness\, and the many ways of depicting a person on canvas.\nOil paint focused\, but other media are also welcome. All skill levels are welcome! \nInstructor: Zack Bukovich\nClass Size Limit: 10\nStudio Location: TBA \nStudent supply list:\nChoose preferred type of Paint: Gouache\, Acrylic or Oil Paint \n\n4-6 canvases\, panels or paper\, between 9 x12” and 16 x 20”\n\nGouache or Acrylic Supplies: \n\nGouache or Acrylic paints: A simple color palette of basic colors (red\, blue\, yellow\, black\, white and brown).\nBrushes*\n\nOil Painting Supplies: \n\nOil Paints:  Ivory Black\, Yellow Ochre\, Titanium white\, warm yellow and cool yellow (usually cadmium yellow and lemon yellow)\, warm red and cool red (usually cadmium red and alizarin crimson) and ultramarine blue; other colors of your choice (bring what you have).\nMixed sized brushes (can be bristle or synthetic)*\nPalette Knife\nPalette surface (sheets are fine)\nOdorless Turpentine or Gamsol\nPaint mixing tray\n*The Octagon will provide  paper towels\, pencils\, gently used paintbrushes of varying type and size.
URL:https://calendar.amesart.org/event/portrait-painting-ages-18-octagon-center-for-the-arts-2/2026-12-22/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Self_Portrait_Class_brlmev.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261229T180000
DTEND;TZID=America/Chicago:20261229T200000
DTSTAMP:20260703T050536
CREATED:20260124T161611Z
LAST-MODIFIED:20260124T161611Z
UID:10003603-1798567200-1798574400@calendar.amesart.org
SUMMARY:Portrait Painting Ages\, 18+ - Octagon Center for the Arts
DESCRIPTION:Art of the Portrait\,  Ages 18+\nTuesdays\, 6 – 8 p.m.\nFebruary 10 – 24 (3 weeks)\n$85 \nStudents will explore the art of painting portraits.  Students have the choice to paint from a photo\, or paint a self-portrait by using a mirror. Students will learn to explore color\, likeness\, and the many ways of depicting a person on canvas.\nOil paint focused\, but other media are also welcome. All skill levels are welcome! \nInstructor: Zack Bukovich\nClass Size Limit: 10\nStudio Location: TBA \nStudent supply list:\nChoose preferred type of Paint: Gouache\, Acrylic or Oil Paint \n\n4-6 canvases\, panels or paper\, between 9 x12” and 16 x 20”\n\nGouache or Acrylic Supplies: \n\nGouache or Acrylic paints: A simple color palette of basic colors (red\, blue\, yellow\, black\, white and brown).\nBrushes*\n\nOil Painting Supplies: \n\nOil Paints:  Ivory Black\, Yellow Ochre\, Titanium white\, warm yellow and cool yellow (usually cadmium yellow and lemon yellow)\, warm red and cool red (usually cadmium red and alizarin crimson) and ultramarine blue; other colors of your choice (bring what you have).\nMixed sized brushes (can be bristle or synthetic)*\nPalette Knife\nPalette surface (sheets are fine)\nOdorless Turpentine or Gamsol\nPaint mixing tray\n*The Octagon will provide  paper towels\, pencils\, gently used paintbrushes of varying type and size.
URL:https://calendar.amesart.org/event/portrait-painting-ages-18-octagon-center-for-the-arts-2/2026-12-29/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Self_Portrait_Class_brlmev.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270105T180000
DTEND;TZID=America/Chicago:20270105T200000
DTSTAMP:20260703T050536
CREATED:20260124T161611Z
LAST-MODIFIED:20260124T161611Z
UID:10003604-1799172000-1799179200@calendar.amesart.org
SUMMARY:Portrait Painting Ages\, 18+ - Octagon Center for the Arts
DESCRIPTION:Art of the Portrait\,  Ages 18+\nTuesdays\, 6 – 8 p.m.\nFebruary 10 – 24 (3 weeks)\n$85 \nStudents will explore the art of painting portraits.  Students have the choice to paint from a photo\, or paint a self-portrait by using a mirror. Students will learn to explore color\, likeness\, and the many ways of depicting a person on canvas.\nOil paint focused\, but other media are also welcome. All skill levels are welcome! \nInstructor: Zack Bukovich\nClass Size Limit: 10\nStudio Location: TBA \nStudent supply list:\nChoose preferred type of Paint: Gouache\, Acrylic or Oil Paint \n\n4-6 canvases\, panels or paper\, between 9 x12” and 16 x 20”\n\nGouache or Acrylic Supplies: \n\nGouache or Acrylic paints: A simple color palette of basic colors (red\, blue\, yellow\, black\, white and brown).\nBrushes*\n\nOil Painting Supplies: \n\nOil Paints:  Ivory Black\, Yellow Ochre\, Titanium white\, warm yellow and cool yellow (usually cadmium yellow and lemon yellow)\, warm red and cool red (usually cadmium red and alizarin crimson) and ultramarine blue; other colors of your choice (bring what you have).\nMixed sized brushes (can be bristle or synthetic)*\nPalette Knife\nPalette surface (sheets are fine)\nOdorless Turpentine or Gamsol\nPaint mixing tray\n*The Octagon will provide  paper towels\, pencils\, gently used paintbrushes of varying type and size.
URL:https://calendar.amesart.org/event/portrait-painting-ages-18-octagon-center-for-the-arts-2/2027-01-05/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Self_Portrait_Class_brlmev.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270112T180000
DTEND;TZID=America/Chicago:20270112T200000
DTSTAMP:20260703T050536
CREATED:20260124T161611Z
LAST-MODIFIED:20260124T161611Z
UID:10003605-1799776800-1799784000@calendar.amesart.org
SUMMARY:Portrait Painting Ages\, 18+ - Octagon Center for the Arts
DESCRIPTION:Art of the Portrait\,  Ages 18+\nTuesdays\, 6 – 8 p.m.\nFebruary 10 – 24 (3 weeks)\n$85 \nStudents will explore the art of painting portraits.  Students have the choice to paint from a photo\, or paint a self-portrait by using a mirror. Students will learn to explore color\, likeness\, and the many ways of depicting a person on canvas.\nOil paint focused\, but other media are also welcome. All skill levels are welcome! \nInstructor: Zack Bukovich\nClass Size Limit: 10\nStudio Location: TBA \nStudent supply list:\nChoose preferred type of Paint: Gouache\, Acrylic or Oil Paint \n\n4-6 canvases\, panels or paper\, between 9 x12” and 16 x 20”\n\nGouache or Acrylic Supplies: \n\nGouache or Acrylic paints: A simple color palette of basic colors (red\, blue\, yellow\, black\, white and brown).\nBrushes*\n\nOil Painting Supplies: \n\nOil Paints:  Ivory Black\, Yellow Ochre\, Titanium white\, warm yellow and cool yellow (usually cadmium yellow and lemon yellow)\, warm red and cool red (usually cadmium red and alizarin crimson) and ultramarine blue; other colors of your choice (bring what you have).\nMixed sized brushes (can be bristle or synthetic)*\nPalette Knife\nPalette surface (sheets are fine)\nOdorless Turpentine or Gamsol\nPaint mixing tray\n*The Octagon will provide  paper towels\, pencils\, gently used paintbrushes of varying type and size.
URL:https://calendar.amesart.org/event/portrait-painting-ages-18-octagon-center-for-the-arts-2/2027-01-12/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Self_Portrait_Class_brlmev.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270119T180000
DTEND;TZID=America/Chicago:20270119T200000
DTSTAMP:20260703T050536
CREATED:20260124T161611Z
LAST-MODIFIED:20260124T161611Z
UID:10003606-1800381600-1800388800@calendar.amesart.org
SUMMARY:Portrait Painting Ages\, 18+ - Octagon Center for the Arts
DESCRIPTION:Art of the Portrait\,  Ages 18+\nTuesdays\, 6 – 8 p.m.\nFebruary 10 – 24 (3 weeks)\n$85 \nStudents will explore the art of painting portraits.  Students have the choice to paint from a photo\, or paint a self-portrait by using a mirror. Students will learn to explore color\, likeness\, and the many ways of depicting a person on canvas.\nOil paint focused\, but other media are also welcome. All skill levels are welcome! \nInstructor: Zack Bukovich\nClass Size Limit: 10\nStudio Location: TBA \nStudent supply list:\nChoose preferred type of Paint: Gouache\, Acrylic or Oil Paint \n\n4-6 canvases\, panels or paper\, between 9 x12” and 16 x 20”\n\nGouache or Acrylic Supplies: \n\nGouache or Acrylic paints: A simple color palette of basic colors (red\, blue\, yellow\, black\, white and brown).\nBrushes*\n\nOil Painting Supplies: \n\nOil Paints:  Ivory Black\, Yellow Ochre\, Titanium white\, warm yellow and cool yellow (usually cadmium yellow and lemon yellow)\, warm red and cool red (usually cadmium red and alizarin crimson) and ultramarine blue; other colors of your choice (bring what you have).\nMixed sized brushes (can be bristle or synthetic)*\nPalette Knife\nPalette surface (sheets are fine)\nOdorless Turpentine or Gamsol\nPaint mixing tray\n*The Octagon will provide  paper towels\, pencils\, gently used paintbrushes of varying type and size.
URL:https://calendar.amesart.org/event/portrait-painting-ages-18-octagon-center-for-the-arts-2/2027-01-19/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Self_Portrait_Class_brlmev.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270126T180000
DTEND;TZID=America/Chicago:20270126T200000
DTSTAMP:20260703T050536
CREATED:20260124T161611Z
LAST-MODIFIED:20260124T161611Z
UID:10003607-1800986400-1800993600@calendar.amesart.org
SUMMARY:Portrait Painting Ages\, 18+ - Octagon Center for the Arts
DESCRIPTION:Art of the Portrait\,  Ages 18+\nTuesdays\, 6 – 8 p.m.\nFebruary 10 – 24 (3 weeks)\n$85 \nStudents will explore the art of painting portraits.  Students have the choice to paint from a photo\, or paint a self-portrait by using a mirror. Students will learn to explore color\, likeness\, and the many ways of depicting a person on canvas.\nOil paint focused\, but other media are also welcome. All skill levels are welcome! \nInstructor: Zack Bukovich\nClass Size Limit: 10\nStudio Location: TBA \nStudent supply list:\nChoose preferred type of Paint: Gouache\, Acrylic or Oil Paint \n\n4-6 canvases\, panels or paper\, between 9 x12” and 16 x 20”\n\nGouache or Acrylic Supplies: \n\nGouache or Acrylic paints: A simple color palette of basic colors (red\, blue\, yellow\, black\, white and brown).\nBrushes*\n\nOil Painting Supplies: \n\nOil Paints:  Ivory Black\, Yellow Ochre\, Titanium white\, warm yellow and cool yellow (usually cadmium yellow and lemon yellow)\, warm red and cool red (usually cadmium red and alizarin crimson) and ultramarine blue; other colors of your choice (bring what you have).\nMixed sized brushes (can be bristle or synthetic)*\nPalette Knife\nPalette surface (sheets are fine)\nOdorless Turpentine or Gamsol\nPaint mixing tray\n*The Octagon will provide  paper towels\, pencils\, gently used paintbrushes of varying type and size.
URL:https://calendar.amesart.org/event/portrait-painting-ages-18-octagon-center-for-the-arts-2/2027-01-26/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Self_Portrait_Class_brlmev.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270202T180000
DTEND;TZID=America/Chicago:20270202T200000
DTSTAMP:20260703T050536
CREATED:20260124T161611Z
LAST-MODIFIED:20260124T161611Z
UID:10003608-1801591200-1801598400@calendar.amesart.org
SUMMARY:Portrait Painting Ages\, 18+ - Octagon Center for the Arts
DESCRIPTION:Art of the Portrait\,  Ages 18+\nTuesdays\, 6 – 8 p.m.\nFebruary 10 – 24 (3 weeks)\n$85 \nStudents will explore the art of painting portraits.  Students have the choice to paint from a photo\, or paint a self-portrait by using a mirror. Students will learn to explore color\, likeness\, and the many ways of depicting a person on canvas.\nOil paint focused\, but other media are also welcome. All skill levels are welcome! \nInstructor: Zack Bukovich\nClass Size Limit: 10\nStudio Location: TBA \nStudent supply list:\nChoose preferred type of Paint: Gouache\, Acrylic or Oil Paint \n\n4-6 canvases\, panels or paper\, between 9 x12” and 16 x 20”\n\nGouache or Acrylic Supplies: \n\nGouache or Acrylic paints: A simple color palette of basic colors (red\, blue\, yellow\, black\, white and brown).\nBrushes*\n\nOil Painting Supplies: \n\nOil Paints:  Ivory Black\, Yellow Ochre\, Titanium white\, warm yellow and cool yellow (usually cadmium yellow and lemon yellow)\, warm red and cool red (usually cadmium red and alizarin crimson) and ultramarine blue; other colors of your choice (bring what you have).\nMixed sized brushes (can be bristle or synthetic)*\nPalette Knife\nPalette surface (sheets are fine)\nOdorless Turpentine or Gamsol\nPaint mixing tray\n*The Octagon will provide  paper towels\, pencils\, gently used paintbrushes of varying type and size.
URL:https://calendar.amesart.org/event/portrait-painting-ages-18-octagon-center-for-the-arts-2/2027-02-02/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Self_Portrait_Class_brlmev.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270209T180000
DTEND;TZID=America/Chicago:20270209T200000
DTSTAMP:20260703T050536
CREATED:20260124T161611Z
LAST-MODIFIED:20260124T161611Z
UID:10003609-1802196000-1802203200@calendar.amesart.org
SUMMARY:Portrait Painting Ages\, 18+ - Octagon Center for the Arts
DESCRIPTION:Art of the Portrait\,  Ages 18+\nTuesdays\, 6 – 8 p.m.\nFebruary 10 – 24 (3 weeks)\n$85 \nStudents will explore the art of painting portraits.  Students have the choice to paint from a photo\, or paint a self-portrait by using a mirror. Students will learn to explore color\, likeness\, and the many ways of depicting a person on canvas.\nOil paint focused\, but other media are also welcome. All skill levels are welcome! \nInstructor: Zack Bukovich\nClass Size Limit: 10\nStudio Location: TBA \nStudent supply list:\nChoose preferred type of Paint: Gouache\, Acrylic or Oil Paint \n\n4-6 canvases\, panels or paper\, between 9 x12” and 16 x 20”\n\nGouache or Acrylic Supplies: \n\nGouache or Acrylic paints: A simple color palette of basic colors (red\, blue\, yellow\, black\, white and brown).\nBrushes*\n\nOil Painting Supplies: \n\nOil Paints:  Ivory Black\, Yellow Ochre\, Titanium white\, warm yellow and cool yellow (usually cadmium yellow and lemon yellow)\, warm red and cool red (usually cadmium red and alizarin crimson) and ultramarine blue; other colors of your choice (bring what you have).\nMixed sized brushes (can be bristle or synthetic)*\nPalette Knife\nPalette surface (sheets are fine)\nOdorless Turpentine or Gamsol\nPaint mixing tray\n*The Octagon will provide  paper towels\, pencils\, gently used paintbrushes of varying type and size.
URL:https://calendar.amesart.org/event/portrait-painting-ages-18-octagon-center-for-the-arts-2/2027-02-09/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Self_Portrait_Class_brlmev.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
END:VCALENDAR