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X-WR-CALDESC:Events for Ames Community Arts Council
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DTSTART;TZID=America/Chicago:20261022T173000
DTEND;TZID=America/Chicago:20261022T200000
DTSTAMP:20260930T103043
CREATED:20260905T174531Z
LAST-MODIFIED:20260905T174531Z
UID:10005722-1792690200-1792699200@calendar.amesart.org
SUMMARY:A Place to Mend\, FREE EVENT\, 4th Thursdays\, ages 21+ at the Octagon
DESCRIPTION:A Place to Mend\nEvery 4th Thursday\n5:30 – 8 p.m.Ages 21+ (Feel free to bring your favorite beverage; alcoholic or non-alcoholic) \nHave a few mending/repair projects you have been wanting to work on? Gather them up and join the Octagon for some creative\, productive\, and soulful fun. You are encouraged to bring any projects to work on\, i.e… knitting\, crochet\, needle work\, whatever. We will have a special guest\, and author of  Mend it Better\, Kristin Roach\, with us for this community gathering. Kristin is also a published author of worldwide knitting patterns\, the Craftleftovers zine series\, a community organizer\, artist\, and owner of Little Woods: Herbs and Teas in downtown Ames. \nAs always\, Mending nights are free\, or a suggested donation of $5 for instruction\, tips -n- tricks.\n3rd Floor\, Reading Room \nNew in 2026: Monthly Skill Building Themes (6:30 pm)\n\nOctober: Woven Structure Demo & Quilling Supply Giveaway with Kristin Roach. Kristin will be showing the difference between plain and twill structures and use quilling strips to show the difference.
URL:https://calendar.amesart.org/event/a-place-to-mend-free-event-4th-thursdays-ages-21-at-the-octagon-2/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/webp:https://calendar.amesart.org/wp-content/uploads/2023/04/mend.webp
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261022T173000
DTEND;TZID=America/Chicago:20261022T200000
DTSTAMP:20260930T103043
CREATED:20260905T181747Z
LAST-MODIFIED:20260905T181944Z
UID:10005736-1792690200-1792699200@calendar.amesart.org
SUMMARY:A Place to Mend\, FREE EVENT\, 4th Thursdays\, ages 21+ at the Octagon
DESCRIPTION:A Place to Mend\nEvery 4th Thursday\n5:30 – 8 p.m. \nAges 21+ (Feel free to bring your favorite beverage; alcoholic or non-alcoholic) \nHave a few mending/repair projects you have been wanting to work on? Gather them up and join the Octagon for some creative\, productive\, and soulful fun. You are encouraged to bring any projects to work on\, i.e… knitting\, crochet\, needle work\, whatever. We will have a special guest\, and author of  Mend it Better\, Kristin Roach\, with us for this community gathering. Kristin is also a published author of worldwide knitting patterns\, the Craftleftovers zine series\, a community organizer\, artist\, and owner of Little Woods: Herbs and Teas in downtown Ames. \nAs always\, Mending nights are free\, or a suggested donation of $5 for instruction\, tips -n- tricks.\n3rd Floor\, Reading Room
URL:https://calendar.amesart.org/event/a-place-to-mend-free-event-4th-thursdays-ages-21-at-the-octagon-3/2026-10-22/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/webp:https://calendar.amesart.org/wp-content/uploads/2023/04/mend.webp
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261023T100000
DTEND;TZID=America/Chicago:20261023T160000
DTSTAMP:20260930T103043
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002472-1792749600-1792771200@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-23/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261023T120000
DTEND;TZID=America/Chicago:20261023T160000
DTSTAMP:20260930T103043
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004396-1792756800-1792771200@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-23/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261026T100000
DTEND;TZID=America/Chicago:20261026T160000
DTSTAMP:20260930T103043
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002473-1793008800-1793030400@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-26/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261026T120000
DTEND;TZID=America/Chicago:20261026T160000
DTSTAMP:20260930T103043
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004397-1793016000-1793030400@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-26/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261026T180000
DTEND;TZID=America/Chicago:20261026T203000
DTSTAMP:20260930T103043
CREATED:20260905T175027Z
LAST-MODIFIED:20260905T175027Z
UID:10005723-1793037600-1793046600@calendar.amesart.org
SUMMARY:Wheel Throwing\, Ages 18+ at the Octagon
DESCRIPTION:Wheel Throwing\, Ages 18+\nBeginning/Intermediate skill levels\nMondays\, 6 – 8:30 p.m.\nOct. 26 – Nov. 23 (5 weeks)\n$185 \nThis class will guide you through shaping clay on the wheel\, from centering to finishing simple forms. It’s perfect for beginners or for next level beginners/intermediate potters who wish to practice and hone their skills. All materials provided. All finished work will be available 10 – 14 days after the class ends. \nClass size limit: 7\nStudio Location: Ceramics/North Studio\, 2nd Floor\nInstructor: Allyson Fillmore
URL:https://calendar.amesart.org/event/wheel-throwing-ages-18-at-the-octagon/2026-10-26/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/pottery.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261026T183000
DTEND;TZID=America/Chicago:20261026T200000
DTSTAMP:20260930T103043
CREATED:20260120T050055Z
LAST-MODIFIED:20260120T050055Z
UID:10003453-1793039400-1793044800@calendar.amesart.org
SUMMARY:Advocacy Workshop Series - Ames Public Library
DESCRIPTION:Check the Ames Public Library website for more details.
URL:https://calendar.amesart.org/event/advocacy-workshop-series-ames-public-library/2026-10-26/
LOCATION:Ames Public Library\, 515 Douglas Ave\, Ames\, IA\, 50010\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261027T100000
DTEND;TZID=America/Chicago:20261027T160000
DTSTAMP:20260930T103043
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002474-1793095200-1793116800@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-27/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261027T120000
DTEND;TZID=America/Chicago:20261027T160000
DTSTAMP:20260930T103043
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004398-1793102400-1793116800@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-27/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261027T180000
DTEND;TZID=America/Chicago:20261027T210000
DTSTAMP:20260930T103044
CREATED:20260905T180800Z
LAST-MODIFIED:20260905T180800Z
UID:10005732-1793124000-1793134800@calendar.amesart.org
SUMMARY:Mixed Level Wheel Throwing\, Ages 18+ at the Octagon
DESCRIPTION:Mixed Level Wheel Throwing\, Ages 18+\nTues.\, 6 – 9 p.m.\nOct. 20 – Nov. 17 (5 weeks)\n$185 \nTake your wheel throwing skills to the next level in this class designed to help you build confidence and build your wheel throwing abilities. You’ll refine your centering\, shaping\, trimming\, and glazing techniques while exploring more complex forms and developing greater consistency at the wheel. Guidance and demonstrations will be provided  to help you strengthen your skills\, experiment with new approaches\, and create pieces that reflect your growth as an artist. Students should be comfortable with the basic process of throwing on the wheel and have prior wheel-throwing experience to participate. \nClass size limit: 7\nStudio Location: Ceramics/North Studio\, 2nd Floor\nInstructor: Jenn Withers
URL:https://calendar.amesart.org/event/mixed-level-wheel-throwing-ages-18-at-the-octagon/2026-10-27/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/pottery.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261028T100000
DTEND;TZID=America/Chicago:20261028T160000
DTSTAMP:20260930T103044
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002475-1793181600-1793203200@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-28/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261028T120000
DTEND;TZID=America/Chicago:20261028T160000
DTSTAMP:20260930T103044
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004399-1793188800-1793203200@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-28/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261028T190000
DTEND;TZID=America/Chicago:20261028T200000
DTSTAMP:20260930T103044
CREATED:20260905T173302Z
LAST-MODIFIED:20260905T173849Z
UID:10005667-1793214000-1793217600@calendar.amesart.org
SUMMARY:Mixed Level Belly Dance (OCT/NOV)\, Ages 14+ at the Octagon
DESCRIPTION:Mixed‑Level Belly Dance Ages 14+\nWed.\, 7 – 8 p.m.\nOct. 14 – Nov. 11 (5 weeks)\n$40 \nActivate and strengthen your core while exploring a joyful\, full‑body dance flow taught by skilled professional dancers and instructors with Mirage Middle Eastern Dance Troupe. This mixed‑level class incorporates the foundational elements of belly dance\, balance\, strength\, musicality\, and torso isolations while offering options to layer movements\, add shimmies\, and explore more complex technique and choreography. You’ll learn short combinations\, incorporate expressive hand and arm movements\, and build confidence at your own pace. Perfect for dancers of all levels\, bodies\, and abilities! \nInstructor: Melinda Jenkins-Moore\nClass Size Limit: 12\nStudio Location: Dance Studio\, 2nd Floor
URL:https://calendar.amesart.org/event/mixed-level-belly-dance-oct-nov-ages-14-at-the-octagon/2026-10-28/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Belly-Dance.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261028T193000
DTEND;TZID=America/Chicago:20261028T193000
DTSTAMP:20260930T103044
CREATED:20260817T033419Z
LAST-MODIFIED:20260817T034402Z
UID:10005494-1793215800-1793215800@calendar.amesart.org
SUMMARY:Evil Dead The Musical - Ames Community Theater (ACTORS)
DESCRIPTION:By George Reinblatt and Music by Frank Cipolla\, Melissa Morris\, Christopher Bond \nGroovy songs\, bloody fun\, and all the Evil Dead you can handle! \nFive college friends want to let loose. Where else can they go but that remote abandoned cabin in the woods? This hair-brained musical will have you screaming for more as the demons possess and a roaring chainsaw dismembers. See Ash and his friends in the spectacle complete with bad jokes\, off-the-wall lyrics and lots and lots of blood. \nEvil Dead The Musical is presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIshows.com \n7:30 p.m.: Oct. 28\, 29\, 30\, 31\, Nov. 6\, 7 | 2 p.m.: Nov. 8 | Get tickets on the ACTORS website or the Octagon Shop\, 427 Douglas Ave.\, Downtown Ames\n 
URL:https://calendar.amesart.org/event/evil-dead-the-musical-ames-community-theater-actors-2/2026-10-28/
LOCATION:Ames Community Theater\, 120 Abraham Drive\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/08/Evil-Dead-ACTORS.jpg
ORGANIZER;CN="Ames Community Theater":MAILTO:info@actorsinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261029T100000
DTEND;TZID=America/Chicago:20261029T160000
DTSTAMP:20260930T103044
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002476-1793268000-1793289600@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-29/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261029T120000
DTEND;TZID=America/Chicago:20261029T160000
DTSTAMP:20260930T103044
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004400-1793275200-1793289600@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-29/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261029T193000
DTEND;TZID=America/Chicago:20261029T193000
DTSTAMP:20260930T103044
CREATED:20260817T033419Z
LAST-MODIFIED:20260817T034402Z
UID:10005495-1793302200-1793302200@calendar.amesart.org
SUMMARY:Evil Dead The Musical - Ames Community Theater (ACTORS)
DESCRIPTION:By George Reinblatt and Music by Frank Cipolla\, Melissa Morris\, Christopher Bond \nGroovy songs\, bloody fun\, and all the Evil Dead you can handle! \nFive college friends want to let loose. Where else can they go but that remote abandoned cabin in the woods? This hair-brained musical will have you screaming for more as the demons possess and a roaring chainsaw dismembers. See Ash and his friends in the spectacle complete with bad jokes\, off-the-wall lyrics and lots and lots of blood. \nEvil Dead The Musical is presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIshows.com \n7:30 p.m.: Oct. 28\, 29\, 30\, 31\, Nov. 6\, 7 | 2 p.m.: Nov. 8 | Get tickets on the ACTORS website or the Octagon Shop\, 427 Douglas Ave.\, Downtown Ames\n 
URL:https://calendar.amesart.org/event/evil-dead-the-musical-ames-community-theater-actors-2/2026-10-29/
LOCATION:Ames Community Theater\, 120 Abraham Drive\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/08/Evil-Dead-ACTORS.jpg
ORGANIZER;CN="Ames Community Theater":MAILTO:info@actorsinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261030T100000
DTEND;TZID=America/Chicago:20261030T160000
DTSTAMP:20260930T103044
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002477-1793354400-1793376000@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-10-30/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261030T120000
DTEND;TZID=America/Chicago:20261030T160000
DTSTAMP:20260930T103044
CREATED:20260202T195117Z
LAST-MODIFIED:20260217T223918Z
UID:10004401-1793361600-1793376000@calendar.amesart.org
SUMMARY:America 250: Prairie\, Plows\, and the People's College - University Museums
DESCRIPTION:America 250: Prairie\, Plows\, and the People’s College\nFebruary – October 2026 \nAmerica 250: Prairie\, Plows\, and the People’s College honors key people\, moments\, objects\, and experiences centered within Farm House through more than 250 primary source objects. The exhibition presents six themes—Early Iowa State Agricultural College and Model Farm\, Early Iowa\, Immigration\, National Imagery\, Native Stories\, and Innovation and the Victorian Home—through decorative arts\, textiles\, furniture\, agricultural implements\, and documents that trace the land-grant university’s heritage and the nation’s evolution. \nVisitors will see George Washington Carver featured in the 1896 Bomb yearbook as the first Black man to enroll\, graduate\, and teach at Iowa State; a hand-painted Norwegian Rosemaling trunk from 1852 personalized with the name “Anna”; Mary Beaumont Welch’s 1884 cookbook from the first Department of Domestic Economy in the nation; the VEISHA bicycle from the 1890s; and early student yearbooks revealing timeless aspects of college life. \nReflective questions appear throughout the exhibition\, inviting visitors to consider how historical narratives continue to shape contemporary society. Topics range from the Morrill Act of 1862 and land-grant universities to immigration patterns in Iowa\, Indigenous history\, and Victorian-era technological innovation. \nOn July 4\, 2026\, the United States will commemorate the 250th anniversary of its founding. Farm House Museum\, built in 1860 as Iowa State’s first building\, has been central to the development of campus\, Iowa State heritage\, education\, innovation\, and national policy.
URL:https://calendar.amesart.org/event/america-250-prairie-plows-and-the-peoples-college-2/2026-10-30/
LOCATION:Farm House Museum\, 601 Farm House Lane\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/02/unnamed-1.png
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261030T193000
DTEND;TZID=America/Chicago:20261030T193000
DTSTAMP:20260930T103044
CREATED:20260817T033419Z
LAST-MODIFIED:20260817T034402Z
UID:10005496-1793388600-1793388600@calendar.amesart.org
SUMMARY:Evil Dead The Musical - Ames Community Theater (ACTORS)
DESCRIPTION:By George Reinblatt and Music by Frank Cipolla\, Melissa Morris\, Christopher Bond \nGroovy songs\, bloody fun\, and all the Evil Dead you can handle! \nFive college friends want to let loose. Where else can they go but that remote abandoned cabin in the woods? This hair-brained musical will have you screaming for more as the demons possess and a roaring chainsaw dismembers. See Ash and his friends in the spectacle complete with bad jokes\, off-the-wall lyrics and lots and lots of blood. \nEvil Dead The Musical is presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIshows.com \n7:30 p.m.: Oct. 28\, 29\, 30\, 31\, Nov. 6\, 7 | 2 p.m.: Nov. 8 | Get tickets on the ACTORS website or the Octagon Shop\, 427 Douglas Ave.\, Downtown Ames\n 
URL:https://calendar.amesart.org/event/evil-dead-the-musical-ames-community-theater-actors-2/2026-10-30/
LOCATION:Ames Community Theater\, 120 Abraham Drive\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/08/Evil-Dead-ACTORS.jpg
ORGANIZER;CN="Ames Community Theater":MAILTO:info@actorsinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261031T193000
DTEND;TZID=America/Chicago:20261031T193000
DTSTAMP:20260930T103044
CREATED:20260817T033419Z
LAST-MODIFIED:20260817T034402Z
UID:10005497-1793475000-1793475000@calendar.amesart.org
SUMMARY:Evil Dead The Musical - Ames Community Theater (ACTORS)
DESCRIPTION:By George Reinblatt and Music by Frank Cipolla\, Melissa Morris\, Christopher Bond \nGroovy songs\, bloody fun\, and all the Evil Dead you can handle! \nFive college friends want to let loose. Where else can they go but that remote abandoned cabin in the woods? This hair-brained musical will have you screaming for more as the demons possess and a roaring chainsaw dismembers. See Ash and his friends in the spectacle complete with bad jokes\, off-the-wall lyrics and lots and lots of blood. \nEvil Dead The Musical is presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIshows.com \n7:30 p.m.: Oct. 28\, 29\, 30\, 31\, Nov. 6\, 7 | 2 p.m.: Nov. 8 | Get tickets on the ACTORS website or the Octagon Shop\, 427 Douglas Ave.\, Downtown Ames\n 
URL:https://calendar.amesart.org/event/evil-dead-the-musical-ames-community-theater-actors-2/2026-10-31/
LOCATION:Ames Community Theater\, 120 Abraham Drive\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/08/Evil-Dead-ACTORS.jpg
ORGANIZER;CN="Ames Community Theater":MAILTO:info@actorsinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261102T090000
DTEND;TZID=America/Chicago:20261102T150000
DTSTAMP:20260930T103044
CREATED:20260905T172234Z
LAST-MODIFIED:20260905T172515Z
UID:10005661-1793610000-1793631600@calendar.amesart.org
SUMMARY:All Kinds of Art (No School Days)\, Grades K - 5 at the Octagon
DESCRIPTION:All Kinds of Art\, Grades K – 5 (No Pre-K or Early Kindergarten students)\nMon.\, Oct. 5\nMon.\, Oct. 19\nMon.\, Nov.  2\nMon.\, Nov. 16 (Gilbert)\nMon.\, Jan. 18 \n9 a.m. – 3 p.m.\n$60 per workshop  date \nNo School? No Problem! Join the Octagon and get creative on your school days off. We will be making a variety of art projects with a multitude of mixed media materials\, (painting\, drawing\, printmaking\, found object sculpture\, fiber\, wire\, wood\, puffy and gooey stuff\, etc…) Bring a sack lunch\, snack and water bottle. \nAdams Studio\nClass Size Limit: 12
URL:https://calendar.amesart.org/event/all-kinds-of-art-no-school-days-grades-k-5-at-the-octagon/2026-11-02/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/all-kinds-of-art.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261102T100000
DTEND;TZID=America/Chicago:20261102T160000
DTSTAMP:20260930T103044
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002478-1793613600-1793635200@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-11-02/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261102T180000
DTEND;TZID=America/Chicago:20261102T203000
DTSTAMP:20260930T103044
CREATED:20260905T175027Z
LAST-MODIFIED:20260905T175027Z
UID:10005724-1793642400-1793651400@calendar.amesart.org
SUMMARY:Wheel Throwing\, Ages 18+ at the Octagon
DESCRIPTION:Wheel Throwing\, Ages 18+\nBeginning/Intermediate skill levels\nMondays\, 6 – 8:30 p.m.\nOct. 26 – Nov. 23 (5 weeks)\n$185 \nThis class will guide you through shaping clay on the wheel\, from centering to finishing simple forms. It’s perfect for beginners or for next level beginners/intermediate potters who wish to practice and hone their skills. All materials provided. All finished work will be available 10 – 14 days after the class ends. \nClass size limit: 7\nStudio Location: Ceramics/North Studio\, 2nd Floor\nInstructor: Allyson Fillmore
URL:https://calendar.amesart.org/event/wheel-throwing-ages-18-at-the-octagon/2026-11-02/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/pottery.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261103T091500
DTEND;TZID=America/Chicago:20261103T100000
DTSTAMP:20260930T103044
CREATED:20260905T182949Z
LAST-MODIFIED:20260905T182949Z
UID:10005743-1793697300-1793700000@calendar.amesart.org
SUMMARY:Exploring Art November at the Octagon
DESCRIPTION:Exploring Art\, 18 months – 3’s with an adult partner\nTues.\, 9:15 – 10 a.m.\n$65 for 4 week sessions\nNov. 3 – Dec. 1 (No class 11/24)\nDec. 8 – 15 ( $45: 2 week mini session) \nChildren and their adult partner will explore art together in a relaxed environment. Toddlers will create their own works of art while learning new skills like tearing paper\, gluing\, cutting\, coloring over texture\, painting with different objects\, moving through transitions and imitating art making processes. Activities will focus on age appropriate\, playful\, artistic and sensory materials. \nClass size limit: 6 child/adult pairs.\nInstructor: Beth Weninger\nHunziker Studio
URL:https://calendar.amesart.org/event/exploring-art-november-at-the-octagon/2026-11-03/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/01/Exploring-art.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261103T100000
DTEND;TZID=America/Chicago:20261103T160000
DTSTAMP:20260930T103044
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002479-1793700000-1793721600@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-11-03/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261103T173000
DTEND;TZID=America/Chicago:20261103T200000
DTSTAMP:20260930T103044
CREATED:20260905T183833Z
LAST-MODIFIED:20260905T183833Z
UID:10005753-1793727000-1793736000@calendar.amesart.org
SUMMARY:Autumn Botanical Watercolor Painting\, Ages 18+ at the Octagon
DESCRIPTION:Autumn Botanical Watercolor Painting\, Ages 18+\nTuesdays (4 sessions)\n5:30 – 8 p.m.\nNov. 3 – 24\n$135 \nExplore the crisp textures\, subtle colors\, and unique forms of dried plants and seed pods in this four-week watercolor workshop. Inspired by artists such as Dick Raugh and Julia Tricky\, students will study botanical specimens through composition\, value\, lighting\, and graphite drawing before developing their subjects in watercolor. You’ll explore underpainting\, washes\, mixing neutral colors\, preserving highlights\, and building rich mid tones and darks with drybrush techniques. No prior watercolor experience is necessary. \nInstructor: Kelsey Wilson\nAdams Studio\nClass Size Limit: 12\nLearn more about Kelsey Wilson’s art: http://www.kelseywilsonstudio.com/\nInstagram: @Kelseywilson.art \nPlease bring the following supplies to your class:\nWatercolor Supply List \n\n 140 lb. (300 gsm) hot press watercolor paper\, 9″ × 12″\n Basic watercolor paints\, including:\n\n Yellow\n Yellow Ochre\n Red or Rose\n Burnt Sienna\n Ultramarine Blue\n Sap Green\n Burnt Umber\n Payne’s Gray or Neutral Tint\n\n\n 3–4 watercolor brushes in a variety of sizes\n HB or 2B pencil (Octagon will have some on hand)\n Kneaded eraser\n\nThe Octagon will provide: paper towels\, water containers\, plastic palettes\, and a selection of gently used brushes. Students are welcome to use these\, but may want to bring a few brushes they prefer working with.
URL:https://calendar.amesart.org/event/autumn-botanical-watercolor-painting-ages-18-at-the-octagon/2026-11-03/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/watercolor-flower.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261103T180000
DTEND;TZID=America/Chicago:20261103T200000
DTSTAMP:20260930T103044
CREATED:20260905T184310Z
LAST-MODIFIED:20260905T184310Z
UID:10005757-1793728800-1793736000@calendar.amesart.org
SUMMARY:Chainmail Jewelry\, Ages 14+ at the Octagon
DESCRIPTION:Chainmail Jewelry\, Ages 14+\nTues.\, 6 – 8 p.m.\nNov. 3 – 24 (4 weeks)\n$105 \nStudents will learn the basic techniques for connecting and manipulating metal rings to create intricate\, wearable designs. Explore different patterns and develop your skills as you create unique pieces of jewelry. No previous chainmail experience is necessary. Teens and adults are welcome! This mixed-age\, mixed-skill-level class is a great opportunity to learn and create alongside others\, whether you’re completely new to chainmail or have some jewelry-making experience. All supplies provided. \nInstructor: Alexa Strotman\nClass Size Limit: 8\nStudio Location: Adams Studio\, 2nd Floor
URL:https://calendar.amesart.org/event/chainmail-jewelry-ages-14-at-the-octagon/2026-11-03/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/chainmail.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261103T180000
DTEND;TZID=America/Chicago:20261103T210000
DTSTAMP:20260930T103044
CREATED:20260905T180800Z
LAST-MODIFIED:20260905T180800Z
UID:10005733-1793728800-1793739600@calendar.amesart.org
SUMMARY:Mixed Level Wheel Throwing\, Ages 18+ at the Octagon
DESCRIPTION:Mixed Level Wheel Throwing\, Ages 18+\nTues.\, 6 – 9 p.m.\nOct. 20 – Nov. 17 (5 weeks)\n$185 \nTake your wheel throwing skills to the next level in this class designed to help you build confidence and build your wheel throwing abilities. You’ll refine your centering\, shaping\, trimming\, and glazing techniques while exploring more complex forms and developing greater consistency at the wheel. Guidance and demonstrations will be provided  to help you strengthen your skills\, experiment with new approaches\, and create pieces that reflect your growth as an artist. Students should be comfortable with the basic process of throwing on the wheel and have prior wheel-throwing experience to participate. \nClass size limit: 7\nStudio Location: Ceramics/North Studio\, 2nd Floor\nInstructor: Jenn Withers
URL:https://calendar.amesart.org/event/mixed-level-wheel-throwing-ages-18-at-the-octagon/2026-11-03/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/pottery.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
END:VCALENDAR