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X-WR-CALDESC:Events for Ames Community Arts Council
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DTSTART;TZID=America/Chicago:20261106T100000
DTEND;TZID=America/Chicago:20261106T160000
DTSTAMP:20261001T182401
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002482-1793959200-1793980800@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-11-06/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261106T193000
DTEND;TZID=America/Chicago:20261106T193000
DTSTAMP:20261001T182401
CREATED:20260817T033419Z
LAST-MODIFIED:20260817T034402Z
UID:10005498-1793993400-1793993400@calendar.amesart.org
SUMMARY:Evil Dead The Musical - Ames Community Theater (ACTORS)
DESCRIPTION:By George Reinblatt and Music by Frank Cipolla\, Melissa Morris\, Christopher Bond \nGroovy songs\, bloody fun\, and all the Evil Dead you can handle! \nFive college friends want to let loose. Where else can they go but that remote abandoned cabin in the woods? This hair-brained musical will have you screaming for more as the demons possess and a roaring chainsaw dismembers. See Ash and his friends in the spectacle complete with bad jokes\, off-the-wall lyrics and lots and lots of blood. \nEvil Dead The Musical is presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIshows.com \n7:30 p.m.: Oct. 28\, 29\, 30\, 31\, Nov. 6\, 7 | 2 p.m.: Nov. 8 | Get tickets on the ACTORS website or the Octagon Shop\, 427 Douglas Ave.\, Downtown Ames\n 
URL:https://calendar.amesart.org/event/evil-dead-the-musical-ames-community-theater-actors-2/2026-11-06/
LOCATION:Ames Community Theater\, 120 Abraham Drive\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/08/Evil-Dead-ACTORS.jpg
ORGANIZER;CN="Ames Community Theater":MAILTO:info@actorsinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261107T193000
DTEND;TZID=America/Chicago:20261107T193000
DTSTAMP:20261001T182401
CREATED:20260817T033419Z
LAST-MODIFIED:20260817T034402Z
UID:10005499-1794079800-1794079800@calendar.amesart.org
SUMMARY:Evil Dead The Musical - Ames Community Theater (ACTORS)
DESCRIPTION:By George Reinblatt and Music by Frank Cipolla\, Melissa Morris\, Christopher Bond \nGroovy songs\, bloody fun\, and all the Evil Dead you can handle! \nFive college friends want to let loose. Where else can they go but that remote abandoned cabin in the woods? This hair-brained musical will have you screaming for more as the demons possess and a roaring chainsaw dismembers. See Ash and his friends in the spectacle complete with bad jokes\, off-the-wall lyrics and lots and lots of blood. \nEvil Dead The Musical is presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIshows.com \n7:30 p.m.: Oct. 28\, 29\, 30\, 31\, Nov. 6\, 7 | 2 p.m.: Nov. 8 | Get tickets on the ACTORS website or the Octagon Shop\, 427 Douglas Ave.\, Downtown Ames\n 
URL:https://calendar.amesart.org/event/evil-dead-the-musical-ames-community-theater-actors-2/2026-11-07/
LOCATION:Ames Community Theater\, 120 Abraham Drive\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/08/Evil-Dead-ACTORS.jpg
ORGANIZER;CN="Ames Community Theater":MAILTO:info@actorsinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261108T140000
DTEND;TZID=America/Chicago:20261108T140000
DTSTAMP:20261001T182401
CREATED:20260817T033419Z
LAST-MODIFIED:20260817T034402Z
UID:10005500-1794146400-1794146400@calendar.amesart.org
SUMMARY:Evil Dead The Musical - Ames Community Theater (ACTORS)
DESCRIPTION:By George Reinblatt and Music by Frank Cipolla\, Melissa Morris\, Christopher Bond \nGroovy songs\, bloody fun\, and all the Evil Dead you can handle! \nFive college friends want to let loose. Where else can they go but that remote abandoned cabin in the woods? This hair-brained musical will have you screaming for more as the demons possess and a roaring chainsaw dismembers. See Ash and his friends in the spectacle complete with bad jokes\, off-the-wall lyrics and lots and lots of blood. \nEvil Dead The Musical is presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIshows.com \n7:30 p.m.: Oct. 28\, 29\, 30\, 31\, Nov. 6\, 7 | 2 p.m.: Nov. 8 | Get tickets on the ACTORS website or the Octagon Shop\, 427 Douglas Ave.\, Downtown Ames\n 
URL:https://calendar.amesart.org/event/evil-dead-the-musical-ames-community-theater-actors-2/2026-11-08/
LOCATION:Ames Community Theater\, 120 Abraham Drive\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/08/Evil-Dead-ACTORS.jpg
ORGANIZER;CN="Ames Community Theater":MAILTO:info@actorsinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261109T100000
DTEND;TZID=America/Chicago:20261109T160000
DTSTAMP:20261001T182401
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002483-1794218400-1794240000@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-11-09/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261109T180000
DTEND;TZID=America/Chicago:20261109T203000
DTSTAMP:20261001T182401
CREATED:20260905T175027Z
LAST-MODIFIED:20260905T175027Z
UID:10005725-1794247200-1794256200@calendar.amesart.org
SUMMARY:Wheel Throwing\, Ages 18+ at the Octagon
DESCRIPTION:Wheel Throwing\, Ages 18+\nBeginning/Intermediate skill levels\nMondays\, 6 – 8:30 p.m.\nOct. 26 – Nov. 23 (5 weeks)\n$185 \nThis class will guide you through shaping clay on the wheel\, from centering to finishing simple forms. It’s perfect for beginners or for next level beginners/intermediate potters who wish to practice and hone their skills. All materials provided. All finished work will be available 10 – 14 days after the class ends. \nClass size limit: 7\nStudio Location: Ceramics/North Studio\, 2nd Floor\nInstructor: Allyson Fillmore
URL:https://calendar.amesart.org/event/wheel-throwing-ages-18-at-the-octagon/2026-11-09/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/pottery.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261110T091500
DTEND;TZID=America/Chicago:20261110T100000
DTSTAMP:20261001T182401
CREATED:20260905T182949Z
LAST-MODIFIED:20260905T182949Z
UID:10005744-1794302100-1794304800@calendar.amesart.org
SUMMARY:Exploring Art November at the Octagon
DESCRIPTION:Exploring Art\, 18 months – 3’s with an adult partner\nTues.\, 9:15 – 10 a.m.\n$65 for 4 week sessions\nNov. 3 – Dec. 1 (No class 11/24)\nDec. 8 – 15 ( $45: 2 week mini session) \nChildren and their adult partner will explore art together in a relaxed environment. Toddlers will create their own works of art while learning new skills like tearing paper\, gluing\, cutting\, coloring over texture\, painting with different objects\, moving through transitions and imitating art making processes. Activities will focus on age appropriate\, playful\, artistic and sensory materials. \nClass size limit: 6 child/adult pairs.\nInstructor: Beth Weninger\nHunziker Studio
URL:https://calendar.amesart.org/event/exploring-art-november-at-the-octagon/2026-11-10/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/01/Exploring-art.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261110T100000
DTEND;TZID=America/Chicago:20261110T160000
DTSTAMP:20261001T182401
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002484-1794304800-1794326400@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-11-10/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261110T173000
DTEND;TZID=America/Chicago:20261110T200000
DTSTAMP:20261001T182401
CREATED:20260905T183833Z
LAST-MODIFIED:20260905T183833Z
UID:10005754-1794331800-1794340800@calendar.amesart.org
SUMMARY:Autumn Botanical Watercolor Painting\, Ages 18+ at the Octagon
DESCRIPTION:Autumn Botanical Watercolor Painting\, Ages 18+\nTuesdays (4 sessions)\n5:30 – 8 p.m.\nNov. 3 – 24\n$135 \nExplore the crisp textures\, subtle colors\, and unique forms of dried plants and seed pods in this four-week watercolor workshop. Inspired by artists such as Dick Raugh and Julia Tricky\, students will study botanical specimens through composition\, value\, lighting\, and graphite drawing before developing their subjects in watercolor. You’ll explore underpainting\, washes\, mixing neutral colors\, preserving highlights\, and building rich mid tones and darks with drybrush techniques. No prior watercolor experience is necessary. \nInstructor: Kelsey Wilson\nAdams Studio\nClass Size Limit: 12\nLearn more about Kelsey Wilson’s art: http://www.kelseywilsonstudio.com/\nInstagram: @Kelseywilson.art \nPlease bring the following supplies to your class:\nWatercolor Supply List \n\n 140 lb. (300 gsm) hot press watercolor paper\, 9″ × 12″\n Basic watercolor paints\, including:\n\n Yellow\n Yellow Ochre\n Red or Rose\n Burnt Sienna\n Ultramarine Blue\n Sap Green\n Burnt Umber\n Payne’s Gray or Neutral Tint\n\n\n 3–4 watercolor brushes in a variety of sizes\n HB or 2B pencil (Octagon will have some on hand)\n Kneaded eraser\n\nThe Octagon will provide: paper towels\, water containers\, plastic palettes\, and a selection of gently used brushes. Students are welcome to use these\, but may want to bring a few brushes they prefer working with.
URL:https://calendar.amesart.org/event/autumn-botanical-watercolor-painting-ages-18-at-the-octagon/2026-11-10/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/watercolor-flower.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261110T180000
DTEND;TZID=America/Chicago:20261110T200000
DTSTAMP:20261001T182401
CREATED:20260905T184310Z
LAST-MODIFIED:20260905T184310Z
UID:10005758-1794333600-1794340800@calendar.amesart.org
SUMMARY:Chainmail Jewelry\, Ages 14+ at the Octagon
DESCRIPTION:Chainmail Jewelry\, Ages 14+\nTues.\, 6 – 8 p.m.\nNov. 3 – 24 (4 weeks)\n$105 \nStudents will learn the basic techniques for connecting and manipulating metal rings to create intricate\, wearable designs. Explore different patterns and develop your skills as you create unique pieces of jewelry. No previous chainmail experience is necessary. Teens and adults are welcome! This mixed-age\, mixed-skill-level class is a great opportunity to learn and create alongside others\, whether you’re completely new to chainmail or have some jewelry-making experience. All supplies provided. \nInstructor: Alexa Strotman\nClass Size Limit: 8\nStudio Location: Adams Studio\, 2nd Floor
URL:https://calendar.amesart.org/event/chainmail-jewelry-ages-14-at-the-octagon/2026-11-10/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/chainmail.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261110T180000
DTEND;TZID=America/Chicago:20261110T210000
DTSTAMP:20261001T182401
CREATED:20260905T180800Z
LAST-MODIFIED:20260905T180800Z
UID:10005734-1794333600-1794344400@calendar.amesart.org
SUMMARY:Mixed Level Wheel Throwing\, Ages 18+ at the Octagon
DESCRIPTION:Mixed Level Wheel Throwing\, Ages 18+\nTues.\, 6 – 9 p.m.\nOct. 20 – Nov. 17 (5 weeks)\n$185 \nTake your wheel throwing skills to the next level in this class designed to help you build confidence and build your wheel throwing abilities. You’ll refine your centering\, shaping\, trimming\, and glazing techniques while exploring more complex forms and developing greater consistency at the wheel. Guidance and demonstrations will be provided  to help you strengthen your skills\, experiment with new approaches\, and create pieces that reflect your growth as an artist. Students should be comfortable with the basic process of throwing on the wheel and have prior wheel-throwing experience to participate. \nClass size limit: 7\nStudio Location: Ceramics/North Studio\, 2nd Floor\nInstructor: Jenn Withers
URL:https://calendar.amesart.org/event/mixed-level-wheel-throwing-ages-18-at-the-octagon/2026-11-10/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/pottery.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261111T100000
DTEND;TZID=America/Chicago:20261111T110000
DTSTAMP:20261001T182401
CREATED:20260905T192148Z
LAST-MODIFIED:20260905T192148Z
UID:10005762-1794391200-1794394800@calendar.amesart.org
SUMMARY:Creative Explorations November / December at the Octagon Center for the Arts
DESCRIPTION:Creative Explorations\, Older 3’s – 5 years with an adult partner* \nWed.\, 10 – 11 a.m.\n$65 for each 4 week session\nNovember 4 – December 2 (No class 11/25) \nDecember 9 – 16 (2 Weeks mini session: $45) \nEnjoy creative learning through the art making process using a variety of sensory materials\, traditional and nontraditional supplies. New skills will be practiced\, while the “process of making” will be the fundamental goal for the child. Materials like paint\, charcoal\, fabric\, plastic\, sculpture media\, glue\, cardboard\, paper\, etc. will be used. The use of scissors and proper handling of materials and color mixing will also be explored. Guardians are encouraged to participate in class activities.\n*Children who are 5 years old may be more developmentally willing/able to work alone on their projects. If so\, guardians are encouraged to stay on site either in the studio or in the adjacent lounge area during class. \nClass limit: 6 children/adult pairs\nInstructor: Beth Weninger\nHunziker Studio
URL:https://calendar.amesart.org/event/creative-explorations-november-december-at-the-octagon-center-for-the-arts/2026-11-11/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/01/kids-art.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261111T100000
DTEND;TZID=America/Chicago:20261111T160000
DTSTAMP:20261001T182401
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002485-1794391200-1794412800@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-11-11/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261111T110000
DTEND;TZID=America/Chicago:20261111T110000
DTSTAMP:20261001T182401
CREATED:20260201T202300Z
LAST-MODIFIED:20260201T202405Z
UID:10004147-1794394800-1794394800@calendar.amesart.org
SUMMARY:Ames Veterans Day program - Heart of Iowa Band
DESCRIPTION:The Heart of Iowa Band performs the annual Ames Veterans Day program.
URL:https://calendar.amesart.org/event/ames-veterans-day-program-heart-of-iowa-band/
LOCATION:Ames City Auditorium\, 520 6th St\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/02/HeartOfIowaBand_web.jpg
ORGANIZER;CN="Heart of Iowa Band":MAILTO:barbkfry@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261111T183000
DTEND;TZID=America/Chicago:20261111T203000
DTSTAMP:20261001T182401
CREATED:20260121T135911Z
LAST-MODIFIED:20260121T135911Z
UID:10003528-1794421800-1794429000@calendar.amesart.org
SUMMARY:That's Fun - Ames Public Library
DESCRIPTION:Adulthood isn’t always fun\, but at the Library it can be. Connect with other adults for a different fun-filled activity each month to build community. Check the APL calendar closer to the event date for more details. \nHeld in the Farwell T. Brown Auditorium.
URL:https://calendar.amesart.org/event/thats-fun-ames-public-library/2026-11-11/
LOCATION:IA
ATTACH;FMTTYPE=image/png:https://calendar.amesart.org/wp-content/uploads/2026/01/ThatsFun-2026-FB-INSTAGRAM-02.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261111T190000
DTEND;TZID=America/Chicago:20261111T200000
DTSTAMP:20261001T182401
CREATED:20260905T173302Z
LAST-MODIFIED:20260905T173849Z
UID:10005669-1794423600-1794427200@calendar.amesart.org
SUMMARY:Mixed Level Belly Dance (OCT/NOV)\, Ages 14+ at the Octagon
DESCRIPTION:Mixed‑Level Belly Dance Ages 14+\nWed.\, 7 – 8 p.m.\nOct. 14 – Nov. 11 (5 weeks)\n$40 \nActivate and strengthen your core while exploring a joyful\, full‑body dance flow taught by skilled professional dancers and instructors with Mirage Middle Eastern Dance Troupe. This mixed‑level class incorporates the foundational elements of belly dance\, balance\, strength\, musicality\, and torso isolations while offering options to layer movements\, add shimmies\, and explore more complex technique and choreography. You’ll learn short combinations\, incorporate expressive hand and arm movements\, and build confidence at your own pace. Perfect for dancers of all levels\, bodies\, and abilities! \nInstructor: Melinda Jenkins-Moore\nClass Size Limit: 12\nStudio Location: Dance Studio\, 2nd Floor
URL:https://calendar.amesart.org/event/mixed-level-belly-dance-oct-nov-ages-14-at-the-octagon/2026-11-11/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/Belly-Dance.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261112T100000
DTEND;TZID=America/Chicago:20261112T160000
DTSTAMP:20261001T182401
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002486-1794477600-1794499200@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-11-12/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261112T170000
DTEND;TZID=America/Chicago:20261112T190000
DTSTAMP:20261001T182401
CREATED:20260905T194439Z
LAST-MODIFIED:20260905T194439Z
UID:10005772-1794502800-1794510000@calendar.amesart.org
SUMMARY:Clay Charms & Keychains!\, Ages 10 - 15 at the Octagon Center for the Arts
DESCRIPTION:Clay Charms and Keychains\, Ages 10–15\nThurs.\, 5 – 7 p.m.\nNov. 5 – 19 (3 weeks)\n$80 \nLearn the basics of sculpting with oven-bake clay while creating your own charms and keychains. Students will explore shaping\, adding texture and detail\, combining colors\, and incorporating beads and other elements to create small\, personalized pieces. This class offers a fun opportunity to experiment with clay\, explore different designs\, and develop basic sculpting skills. No previous experience is necessary. All supplies provided. \nInstructor: Alexa Strotman\nClass Size Limit: 8\nStudio Location: Adams Studio\, 2nd Floor
URL:https://calendar.amesart.org/event/clay-charms-keychains-ages-10-15-at-the-octagon-center-for-the-arts/2026-11-12/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/clay-keychains.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261113T100000
DTEND;TZID=America/Chicago:20261113T160000
DTSTAMP:20261001T182401
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002487-1794564000-1794585600@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-11-13/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261116T090000
DTEND;TZID=America/Chicago:20261116T150000
DTSTAMP:20261001T182401
CREATED:20260905T172234Z
LAST-MODIFIED:20260905T172515Z
UID:10005662-1794819600-1794841200@calendar.amesart.org
SUMMARY:All Kinds of Art (No School Days)\, Grades K - 5 at the Octagon
DESCRIPTION:All Kinds of Art\, Grades K – 5 (No Pre-K or Early Kindergarten students)\nMon.\, Oct. 5\nMon.\, Oct. 19\nMon.\, Nov.  2\nMon.\, Nov. 16 (Gilbert)\nMon.\, Jan. 18 \n9 a.m. – 3 p.m.\n$60 per workshop  date \nNo School? No Problem! Join the Octagon and get creative on your school days off. We will be making a variety of art projects with a multitude of mixed media materials\, (painting\, drawing\, printmaking\, found object sculpture\, fiber\, wire\, wood\, puffy and gooey stuff\, etc…) Bring a sack lunch\, snack and water bottle. \nAdams Studio\nClass Size Limit: 12
URL:https://calendar.amesart.org/event/all-kinds-of-art-no-school-days-grades-k-5-at-the-octagon/2026-11-16/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/all-kinds-of-art.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261116T100000
DTEND;TZID=America/Chicago:20261116T160000
DTSTAMP:20261001T182401
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002488-1794823200-1794844800@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-11-16/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261116T180000
DTEND;TZID=America/Chicago:20261116T203000
DTSTAMP:20261001T182401
CREATED:20260905T175027Z
LAST-MODIFIED:20260905T175027Z
UID:10005726-1794852000-1794861000@calendar.amesart.org
SUMMARY:Wheel Throwing\, Ages 18+ at the Octagon
DESCRIPTION:Wheel Throwing\, Ages 18+\nBeginning/Intermediate skill levels\nMondays\, 6 – 8:30 p.m.\nOct. 26 – Nov. 23 (5 weeks)\n$185 \nThis class will guide you through shaping clay on the wheel\, from centering to finishing simple forms. It’s perfect for beginners or for next level beginners/intermediate potters who wish to practice and hone their skills. All materials provided. All finished work will be available 10 – 14 days after the class ends. \nClass size limit: 7\nStudio Location: Ceramics/North Studio\, 2nd Floor\nInstructor: Allyson Fillmore
URL:https://calendar.amesart.org/event/wheel-throwing-ages-18-at-the-octagon/2026-11-16/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/10/pottery.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261117T091500
DTEND;TZID=America/Chicago:20261117T100000
DTSTAMP:20261001T182402
CREATED:20260905T182949Z
LAST-MODIFIED:20260905T182949Z
UID:10005745-1794906900-1794909600@calendar.amesart.org
SUMMARY:Exploring Art November at the Octagon
DESCRIPTION:Exploring Art\, 18 months – 3’s with an adult partner\nTues.\, 9:15 – 10 a.m.\n$65 for 4 week sessions\nNov. 3 – Dec. 1 (No class 11/24)\nDec. 8 – 15 ( $45: 2 week mini session) \nChildren and their adult partner will explore art together in a relaxed environment. Toddlers will create their own works of art while learning new skills like tearing paper\, gluing\, cutting\, coloring over texture\, painting with different objects\, moving through transitions and imitating art making processes. Activities will focus on age appropriate\, playful\, artistic and sensory materials. \nClass size limit: 6 child/adult pairs.\nInstructor: Beth Weninger\nHunziker Studio
URL:https://calendar.amesart.org/event/exploring-art-november-at-the-octagon/2026-11-17/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/01/Exploring-art.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261117T100000
DTEND;TZID=America/Chicago:20261117T160000
DTSTAMP:20261001T182402
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002489-1794909600-1794931200@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-11-17/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261117T173000
DTEND;TZID=America/Chicago:20261117T200000
DTSTAMP:20261001T182402
CREATED:20260905T183833Z
LAST-MODIFIED:20260905T183833Z
UID:10005755-1794936600-1794945600@calendar.amesart.org
SUMMARY:Autumn Botanical Watercolor Painting\, Ages 18+ at the Octagon
DESCRIPTION:Autumn Botanical Watercolor Painting\, Ages 18+\nTuesdays (4 sessions)\n5:30 – 8 p.m.\nNov. 3 – 24\n$135 \nExplore the crisp textures\, subtle colors\, and unique forms of dried plants and seed pods in this four-week watercolor workshop. Inspired by artists such as Dick Raugh and Julia Tricky\, students will study botanical specimens through composition\, value\, lighting\, and graphite drawing before developing their subjects in watercolor. You’ll explore underpainting\, washes\, mixing neutral colors\, preserving highlights\, and building rich mid tones and darks with drybrush techniques. No prior watercolor experience is necessary. \nInstructor: Kelsey Wilson\nAdams Studio\nClass Size Limit: 12\nLearn more about Kelsey Wilson’s art: http://www.kelseywilsonstudio.com/\nInstagram: @Kelseywilson.art \nPlease bring the following supplies to your class:\nWatercolor Supply List \n\n 140 lb. (300 gsm) hot press watercolor paper\, 9″ × 12″\n Basic watercolor paints\, including:\n\n Yellow\n Yellow Ochre\n Red or Rose\n Burnt Sienna\n Ultramarine Blue\n Sap Green\n Burnt Umber\n Payne’s Gray or Neutral Tint\n\n\n 3–4 watercolor brushes in a variety of sizes\n HB or 2B pencil (Octagon will have some on hand)\n Kneaded eraser\n\nThe Octagon will provide: paper towels\, water containers\, plastic palettes\, and a selection of gently used brushes. Students are welcome to use these\, but may want to bring a few brushes they prefer working with.
URL:https://calendar.amesart.org/event/autumn-botanical-watercolor-painting-ages-18-at-the-octagon/2026-11-17/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/watercolor-flower.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261117T180000
DTEND;TZID=America/Chicago:20261117T190000
DTSTAMP:20261001T182402
CREATED:20251108T011046Z
LAST-MODIFIED:20251108T011350Z
UID:10001663-1794938400-1794942000@calendar.amesart.org
SUMMARY:Floral Design Workshops - Reiman Gardens
DESCRIPTION:Learn to create beautiful floral arrangements to take home – a different style each month!\nThird Tuesday of each month\, 6 – 7 p.m. \nJoin cherished instructor and State Fair Master Floral Judge Sandy Gossman for a different monthly hands-on floral arrangement workshop. Designs range from contemporary vase arrangements to structured forms using tropical leaves\, dried materials\, event florals\, and more! Materials include a mixture of market flowers and seasonal flowers cut fresh from Reiman Gardens. \n\n2025 Dates & Topics\n\nNovember 18: Woody & Wild\nDecember 16: Solstice Centerpieces (oasis)\n\n2026 Dates & Topics\n\nJanuary 20: Grocer’s Roses\nFebruary 17: Floral Flurries\nMarch 17: Green Goodness\nApril 21: Fairy Garden Tea Cups (2 tea cups)\nMay 19: Tropic Like It’s Hot\nJune 16: Herbal Centerpieces (oasis)\nJuly 21:Miniature Masterpieces (vases or oasis)\nAugust 18: Big Bloom Bunches\nSeptember 15: Colorful Crescents\nOctober 20: Succulent Pumpkins (pumpkin)\nNovember 17: Grassy Swags (wire frame)\nDecember 15: Winter Ikebana (oasis or frogs)\n\nCOPY LINK \n\nPrices\n\n\n$62\nGeneral Public Any age\n\n\n$50\nMembers Must Present Membership Card at Check-In\n\n\n$43\nISU Students Valid with Student ID
URL:https://calendar.amesart.org/event/floral-design-workshops-reiman-gardens/2026-11-17/
LOCATION:Reiman Gardens\, 1407 University Blvd\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/11/Floral.jpg
ORGANIZER;CN="Reiman Gardens":MAILTO:reimangardens@iastate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261117T180000
DTEND;TZID=America/Chicago:20261117T200000
DTSTAMP:20261001T182402
CREATED:20260905T184310Z
LAST-MODIFIED:20260905T184310Z
UID:10005759-1794938400-1794945600@calendar.amesart.org
SUMMARY:Chainmail Jewelry\, Ages 14+ at the Octagon
DESCRIPTION:Chainmail Jewelry\, Ages 14+\nTues.\, 6 – 8 p.m.\nNov. 3 – 24 (4 weeks)\n$105 \nStudents will learn the basic techniques for connecting and manipulating metal rings to create intricate\, wearable designs. Explore different patterns and develop your skills as you create unique pieces of jewelry. No previous chainmail experience is necessary. Teens and adults are welcome! This mixed-age\, mixed-skill-level class is a great opportunity to learn and create alongside others\, whether you’re completely new to chainmail or have some jewelry-making experience. All supplies provided. \nInstructor: Alexa Strotman\nClass Size Limit: 8\nStudio Location: Adams Studio\, 2nd Floor
URL:https://calendar.amesart.org/event/chainmail-jewelry-ages-14-at-the-octagon/2026-11-17/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/chainmail.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261117T180000
DTEND;TZID=America/Chicago:20261117T210000
DTSTAMP:20261001T182402
CREATED:20260905T180800Z
LAST-MODIFIED:20260905T180800Z
UID:10005735-1794938400-1794949200@calendar.amesart.org
SUMMARY:Mixed Level Wheel Throwing\, Ages 18+ at the Octagon
DESCRIPTION:Mixed Level Wheel Throwing\, Ages 18+\nTues.\, 6 – 9 p.m.\nOct. 20 – Nov. 17 (5 weeks)\n$185 \nTake your wheel throwing skills to the next level in this class designed to help you build confidence and build your wheel throwing abilities. You’ll refine your centering\, shaping\, trimming\, and glazing techniques while exploring more complex forms and developing greater consistency at the wheel. Guidance and demonstrations will be provided  to help you strengthen your skills\, experiment with new approaches\, and create pieces that reflect your growth as an artist. Students should be comfortable with the basic process of throwing on the wheel and have prior wheel-throwing experience to participate. \nClass size limit: 7\nStudio Location: Ceramics/North Studio\, 2nd Floor\nInstructor: Jenn Withers
URL:https://calendar.amesart.org/event/mixed-level-wheel-throwing-ages-18-at-the-octagon/2026-11-17/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/09/pottery.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261118T100000
DTEND;TZID=America/Chicago:20261118T110000
DTSTAMP:20261001T182402
CREATED:20260905T192148Z
LAST-MODIFIED:20260905T192148Z
UID:10005763-1794996000-1794999600@calendar.amesart.org
SUMMARY:Creative Explorations November / December at the Octagon Center for the Arts
DESCRIPTION:Creative Explorations\, Older 3’s – 5 years with an adult partner* \nWed.\, 10 – 11 a.m.\n$65 for each 4 week session\nNovember 4 – December 2 (No class 11/25) \nDecember 9 – 16 (2 Weeks mini session: $45) \nEnjoy creative learning through the art making process using a variety of sensory materials\, traditional and nontraditional supplies. New skills will be practiced\, while the “process of making” will be the fundamental goal for the child. Materials like paint\, charcoal\, fabric\, plastic\, sculpture media\, glue\, cardboard\, paper\, etc. will be used. The use of scissors and proper handling of materials and color mixing will also be explored. Guardians are encouraged to participate in class activities.\n*Children who are 5 years old may be more developmentally willing/able to work alone on their projects. If so\, guardians are encouraged to stay on site either in the studio or in the adjacent lounge area during class. \nClass limit: 6 children/adult pairs\nInstructor: Beth Weninger\nHunziker Studio
URL:https://calendar.amesart.org/event/creative-explorations-november-december-at-the-octagon-center-for-the-arts/2026-11-18/
LOCATION:Octagon Center for the Arts\, 427 Douglas Avenue\, Ames\, IA\, 50010\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2026/01/kids-art.jpg
ORGANIZER;CN="Octagon Center for the Arts":MAILTO:info@octagonarts.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261118T100000
DTEND;TZID=America/Chicago:20261118T160000
DTSTAMP:20261001T182402
CREATED:20251229T172121Z
LAST-MODIFIED:20251229T172121Z
UID:10002490-1794996000-1795017600@calendar.amesart.org
SUMMARY:Terra Cotta Conservation in the Art on Campus Collection
DESCRIPTION:University Museums presents “Terra Cotta Conservation in the Art on Campus Collection\,” an intimate exhibition in the Christian Petersen Art Museum showcasing the innovative technology and conservation science used to preserve Danish-American artist Christian Petersen’s iconic terra cotta sculptures across Iowa State University’s campus. \nThe exhibition\, which opens one week prior to classes beginning for the semester\, features materials samples\, 3D scanning documentation\, and behind-the-scenes insights from the ongoing conservation of the “History of Dairying” fountain—a National Register of Historic Places landmark created in 1934 as one of the nation’s earliest Public Works of Art Project (PWAP) installations. \nDemocratic Material Meets Iowa Weather\nWorking within Depression-era constraints\, Iowa State College President Raymond M. Hughes directed Petersen to work in terra cotta—”perhaps in tile or pottery”— because ISU’s Ceramic Engineering Department could produce it on campus within the tight PWAP budget and timeline. The material was affordable and expressive—Petersen could create detailed public art for Iowa State’s students at a fraction of the cost of bronze or marble\, perfectly aligned with the land-grant mission of serving everyone\, not elite institutions. The hand-modeling technique allowed him to capture intricate details in works like the “Fountain of the Four Seasons\,” 1941 and “Three Athletes\,” 1936. \nISU Innovation in Action\nThe exhibition highlights the partnership between University Museums and ISU’s Manufacturing & Teaching Labs\, where Sawyer Krotz conducted comprehensive 3D scans of the “History of Dairying” fountain to create precise digital models for replication. The same technology was used to replicate the terra cotta for the “Fountain of the Four Seasons\,” recently re-dedicated after multi-year conservation. Iowa State’s terra cotta sculptures face challenges from freeze-thaw cycles. The same material that once drained Iowa’s agricultural fields (as drain tiles) graces campus buildings and public spaces\, requiring specialized preservation approaches developed through ISU’s materials science and engineering expertise. \n“Prior to 3D scanning\, successive replications of sculptures would be smaller than their originals due to approximately 5% shrinkage when terra cotta is fired\,” said Sydney Marshall\, Curator at University Museums. “A direct mold of the original would ultimately produce a smaller result because of that shrinkage. With 3D scanning\, we can digitally scale up the models by 5% before creating the molds\, ensuring the final fired terra cotta matches Petersen’s original dimensions exactly.” \nAfter 3D scanning\, the digital models are scaled up and used to create forms that terra cotta specialists use for traditional slip-casting methods. The active “History of Dairying” conservation project—which includes foundation repairs\, mural preservation\, and tier replication—is currently underway\, with fundraising still in progress to complete this (National Register) landmark preservation effort. \nExhibition Details\n“Terra Cotta Conservation in the Art on Campus Collection ” offers visitors an insider’s look at how Iowa State preserves and conserves historic objects—from the actual 3D scan data that captured Christian Petersen’s 1934 fountain details to materials samples showing 90 years of Iowa freeze-thaw damage . \nThis exhibition is curated by University Museums and sponsored by the Department of Mechanical Engineering and The John and Nancy Hayes Chair in Mechanical Engineering. \nThe exhibition opens January 12 and runs through December 18\, 2026\nWeekdays 10 a.m. to 4 p.m.\nChristian Petersen Art Museum’s Neva M. Petersen Gallery\nMorrill Hall\, Ground Floor Hallway\nFree admission \nSpecial Event\nMarch 10\, 5:30–6:30 PM\nTech Meets Tradition: Preserving Campus Art with Materials Engineering\nChristian Petersen Art Museum\, 003 Morrill Hall \nIn conjunction with the exhibition Terra Cotta Conservation in the Art on Campus Collection\, materials engineer Sawyer Krotz will join curator Sydney Marshall for a dynamic exploration of how technology is shaping the future of the conservation of sculpture. Following a guided tour of the exhibition\, watch a live demonstration of object scanning and learn how these tools can support the preservation and restoration of public art. Especially great for anyone interested in materials engineering\, museum conservation\, or historic preservation—no technical background required.\nFree and open to the public.
URL:https://calendar.amesart.org/event/terra-cotta-conservation-in-the-art-on-campus-collection/2026-11-18/
LOCATION:Christian Peterson Art Museum\, 1017 Morrill Hall\, 603 Morrill Rd\, Ames\, IA\, 50011\, United States
ATTACH;FMTTYPE=image/jpeg:https://calendar.amesart.org/wp-content/uploads/2025/12/Exhibition_Terra_Cotta_Email_Banner.jpg
ORGANIZER;CN="University Museums":MAILTO:museums@iastate.edu
END:VEVENT
END:VCALENDAR